"We've only been five hours," answered the Captain with grim civility; "but if Mallow is not tired, I shall not complain."

"I never enjoyed anything so much in my life, never," protested Lord Mallow.

"Well, to-morrow we can shoot the pheasants. It will be a rest for us after this."

"It will be dull work after the enchantments of to-day," said the Irishman.

Captain Winstanley rode homewards a few paces in the rear of the other two, smiling to himself grimly, and humming a little song of Heine's:

"Es ist eine alte Geschichte,
Doch bleibt sie immer neu."

CHAPTER XI.

Rorie objects to Duets.

Mrs. Winstanley's little dinner went off smoothly and pleasantly, as all such entertainments had done under the new régime. The Captain knew how to select his guests, as well as he knew how to compose a menu. People felt pleased with themselves and with their neighbours at his table. There was nothing heavy in the dinner or in the conversation; there were no long sittings over old port or particular claret. The wines were of the first quality; but there was no fuss made about them. Colonel Carteret remembered how he and the Squire had sat prosing over their port or Château Lafitte, and felt as if he were living in a new world—a world in which full-blooded friendship and boisterous hospitality were out of fashion. People whose talk had hitherto been intensely local—confined, for the most part to petty sessions, commoners' rights, hunting, and the parish church and schools—found themselves discussing the widest range of topics, from the prospect of a European war—that European war which has been impending more or less distinctly for the last twenty years—to the latest social scandal in the upper currents of London society. Captain and Mrs. Winstanley's country friends, inspired by one or two clever young men just imported from the London clubs, were surprised to discover how well they were able to criticise the latest productions in literature, art, and the drama; the newest results of scientific investigation; or the last record of African or Central Asian exploration. It was quite delightful to quiet country people, who went to London on an average once in three years, to find themselves talking so easily about the last famous picture, the latest action for libel in artistic circles, or the promised adaptation of Sardou's last comedy at a West End theatre, just as glibly as if they knew all about art, and had read every play of Sardou's.