"In the house!" cried Hannah. "Miss Skipwith would faint at the mention of such a thing. I don't know how she'll ever put up with a huge beast like that anywhere about the place. He must be kept as much out of her sight as possible."
"I'm sorry Argus isn't welcome," said Vixen proudly.
She was thinking that her own welcome at Les Tourelles could hardly be more cordial than that accorded to Argus. She had left home because nobody wanted her there. How could she expect that anyone wanted her here, where she was a stranger, preceded, perhaps, by the reputation of her vices? The woman in the rusty mourning-gown, the man in the shabby raiment and clod-hopper boots, gave her no smile of greeting. Over this new home of hers there hung an unspeakable melancholy. Her heart sank as she crossed the threshold.
Oh, what a neglected, poverty-stricken air the garden had, after the gardens Violet Tempest had been accustomed to look upon! Ragged trees, rank grass, empty flower-beds, weeds in abundance. A narrow paved colonnade ran along one side of the house. They went by this paved way to a dingy little door—not the hall-door, that was never opened—and entered the house by a lobby, which opened into a small parlour, dark and shabby, with one window looking into a court-yard. There were a good many books upon the green baize table-cover; pious books mostly, Vixen saw, with a strange revulsion of feeling; as if that were the culmination of her misery. There was an old-fashioned work-table, with a faded red silk well, beside the open window. A spectacle-case on the work-table, and an armchair before it, indicated that the room had been lately occupied. It was altogether one of the shabbiest rooms Vixen had ever seen—the furniture belonging to the most odious period of cabinet-making, the carpet unutterably dingy, the walls mildewed and mouldy, the sole decorations some pale engravings of naval battles, which might be the victories or defeats of any maritime hero, from Drake to Nelson.
"Come and see the house," said the Captain, reading the disgust in his stepdaughter's pale face.
He opened a door leading into the hall, a large and lofty apartment, with a fine old staircase ascending to a square gallery. The heavy oak balusters had been painted white, so had the panelling in the hall. Time had converted both to a dusky gray. Some rusty odds and ends of armour, and a few dingy family portraits decorated the walls; but of furniture there was not a vestige.
Opening out of the hall there was a large long room with four windows looking into a small wilderness that had once been a garden, and commanding a fine view of land and sea. This the Captain called the drawing-room. It was sparsely furnished with a spindle-legged table, half-a-dozen armchairs covered with faded tapestry, an antique walnut-wood cabinet, another of ebony, a small oasis of carpet in the middle of the bare oak floor.
"This and the parlour you have seen are all the sitting-rooms my aunt occupies," said Captain Winstanley; "the rest of the rooms on this floor are empty, or only used for storehouses. It is a fine old house. I believe the finest in the island."
"Is there a history hanging to it?" asked Vixen, looking drearily round the spacious desolate chamber. "Has it been used as a prison, or a madhouse, or what? I never saw a house that filled me with such nameless horrors."
"You are fanciful," said the Captain. "The house has no story except the common history of fallen fortunes. It has been in the Skipwith family ever since it was built. They were Leicestershire people, and came to Jersey after the civil war—came here to be near their prince in his exile—settled here and built Les Tourelles. I believe they expected Charles would do something handsome for them when he came into his own, but he didn't do anything. Sir John Skipwith stayed in the island and became a large landowner, and died at an advanced age—there is nothing to kill people here, you see—and the Skipwiths have been Jersey people ever since. They were once the richest family in the island. They are now one of the poorest. When I say they, I mean my aunt. She is the last of her race. The Skipwiths have crystallised into one maiden lady, my mother's only sister."