Manners and Social Usages

by M. E. W. Sherwood

A young Frenchman who visited America a few years ago formed the worst judgment of American women because he met one alone at an artist's studio. He misinterpreted the profoundly sacred and corrective influences of art. It had not occurred to the lady that if she went to see a picture she would be suspected of wishing to see the artist. Still, the fact that such a mistake could be made should render ladies careful of even the appearance of evil.

A chaperon should in her turn remember that she must not open a letter, She must not exercise an unwise surveillance. She must not suspect her charge. All that sort of Spanish espionage is always outwitted. The most successful chaperons are those who love their young charges, respect them, try to be in every way what the mother would have been. Of course, all relations of this sort are open to many drawbacks on both sides, but it is not impossible that it may be an agreeable relation, if both parties exercise a little tact.

In selecting a chaperon for a young charge, let parents or guardians be very particular as to the past history of the lady. If she has ever been talked about, ever suffered the bad reputation of flirt or coquette, do not think of placing her in that position. Clubs have long memories, and the fate of more than one young heiress has been imperilled by an injudicious choice of a chaperon. If any woman should have a spotless record and admirable character it should be the chaperon. It will tell against her charge if she have not. Certain needy women who have been ladies, and who precariously attach to society through their families, are always seeking for some young heiress. These women are very poor chaperons, and should be avoided.

This business of chaperonage is a point which demands attention on the part of careless American mothers. No mother should be oblivious of her duty in this respect. It does not imply that she doubts her daughter's honor or truth, or that she thinks she needs watching, but it is proper and respectable and necessary that she should appear by her daughter's side in society. The world is full of traps. It is impossible to be too careful of the reputation of a young lady, and it improves the tone of society vastly if an elegant and respectable woman of middle age accompanies every young party. It goes far to silence the ceaseless clatter of gossip; it is the antidote to scandal; it makes the air clearer; and, above all, it improves the character, the manners, and elevates the minds of the young people who are so happy as to enjoy the society and to feel the authority of a cultivated, wise, and good chaperon.

CHAPTER XXV. ETIQUETTE FOR ELDERLY GIRLS.

A brisk correspondent writes to us that she finds our restrictions as to the etiquette which single women should follow somewhat embarrassing. Being now thirty-five, and at the head of her father's house, with no intention of ever marrying, she asks if she requires a chaperon; if it is necessary that she should observe the severe self-denial of not entering an artist's studio without a guardian angel; if she must never allow a gentleman to pay for her theatre tickets; if she must, in short, assume a matron's place in the world, and never enjoy a matron's freedom.

From her letter we can but believe that this young lady of thirty-five is a very attractive person, and that she does "not look her age." Still, as she is at the head of her father's house, etiquette does yield a point and allows her to judge for herself as to the proprieties which must bend to her. Of course with every year of a woman's life after twenty-five she becomes less and less the subject of chaperonage. For one thing, she is better able to judge of the world and its temptations; in the second place, a certain air which may not be less winning, but which is certainly more mature, has replaced the wild grace of a giddy girlhood. She has, with the assumption of years, taken on a dignity which, in its way, is fully the compensation for some lost bloom. Many people prefer it.

But we must say here that she is not yet, in European opinion, emancipated from that guardianship which society dispenses with for the youngest widow. She must have a "companion" if she is a rich woman; and if she is a poor one she must join some party of friends when she travels. She can travel abroad with her maid, but in Paris and other Continental cities a woman still young-looking had better not do this. She is not safe from insult nor from injurious suspicion if she signs herself "Miss" Smith, and is without her mother, an elderly friend, a companion, or party.

In America a woman can go anywhere and do almost anything without fear of insult. But in Europe, where the custom of chaperonage is so universal, she must be more circumspect.

As to visiting an artist's studio alone, there is in art itself an ennobling and purifying influence which should be a protection. But we must not forget that saucy book by Maurice Sand, in which its author says that the first thing he observed in America was that women (even respectable ones) went alone to artists' studios. It would seem wiser, therefore, that a lady, though thirty-five, should be attended in her visits to studios by a friend or companion. This simple expedient "silences envious tongues," and avoids even the remotest appearance of evil.