The château has long been despoiled of its furnishings of the time of Henri IV and his immediate successors. Nothing but the mere walls remain as a souvenir of those royal days.

The palatial apartments have been in part destroyed, and in part restored or remodelled, and not until Napoleon III were steps taken to keep alive such of the mediæval aspect as still remained.

Pau, with all its charm and attraction for lovers of history and romance, has become sadly over-run of late with diversions which comport little enough with the spirit of other days. Fox-hunting, golf tournaments and all the Anglo-Saxon importations of a colony of indulgent visitors from England and America are a poor substitute for the jousting tournaments, the jeux de paume and the pageants of the days of the brave king of Navarre. Still Pau, its site and its situation, is wonderfully fine.

Pau is the veritable queen of the Pyrenean cities and towns, and mingles all the elements of the super-civilization of the twentieth century with the sanctity of memories of feudal times. The Palais d’Hiver shares the architectural dignity of the city with the château, but a comparison always redounds to the credit of the latter.

Below the terrace flows the Gave de Pau, and separates the verdant faubourg of Jurançon from the parent city. The sunlight is brilliant here, and the very atmosphere, whether it be winter or summer, is, as Jean Rameau puts it, like the laughter of the Béarnais, scintillating and sympathetic.

The memories of the past which come from the contemplation of the really charming historical monuments of Pau and its neighbourhood are admirable, we all admit, but it is disconcerting all the same to read in the local paper, in the café, as you are taking your appetizer before dinner, that “the day was characterized with fine weather and the Pau fox-hounds met this morning at the Poteau d’Escoubes, some twenty kilometres away to the north. A short run uncovered a fox in a spinny, and in time he was ‘earthed’ near Lascaveries!”

This is not what one comes to the south of France to find, and the writer is uncompromisingly against it, not because it is fox-hunting, but because it is so entirely out of place.

The early history of the city of Pau is enveloped in obscurity. Some sort of a fortified residence took shape here under Centulle IV in the ninth century, and this noble vicomte was the first to be freed of all vassalage to the Duc d’Aquitaine, and allowed the dignity of independent sovereignty. On the occasion when the Bishop Amatus of Oloron, the legate of the Pope Gregory VII, came to confer upon Centulle the title of comte, in place of that of vicomte which he had inherited from his fathers, a ceremony took place which was the forerunner of the brilliant gatherings of later days. Says the chronicler: “The drawbridge of the château lowered before the Papal Legate, and as quickly as possible he delivered himself of the mandement of the Pope, a document which meant much to the future history of Béarn.”

Pau owes its fame and prosperity to the building of a château here by the Béarnais princes. To shelter and protect themselves from the incursions of the Saracens a fortress-château was first built high on a plateau overlooking the valley of the Ossau. Possession was taken of the ground necessary for the site by a bargain made with the inhabitants, whereby a certain area of paced-off ground was to be given, by the original dwellers here, in return for the privilege of always being present (they and their descendants) at the sittings of the court.

Just who built or planned the present Château de Pau appears to be doubtful. Of course it is not a thoroughly consistent or homogeneous work; few mediæval châteaux are. That master-builder Gaston certainly had something to do with its erection, as Froissart recounts that when this prince came to visit the Comte d’Armagnac at Tarbes he told his host that “il y a faisait édifier un moult bel chastel en la ville de Pau, au dehors la ville sur la rivière du Gave.” The great tower is, as usual, credited to Gaston, and it is assuredly after his manner.