At Orleans one is at the very gateway of this splendid, bountiful region, the lower valley of the Loire. Here the river first takes on a complexion which previously it had lacked, for it is only when the Loire becomes the boundary-line between the north and the south that one comes to realize its full importance.

The Orléannais, like many another province of mid-France, is a region where plenty awaits rich and poor alike. Not wholly given over to agriculture, nor yet wholly to manufacturing, it is without that restless activity of the frankly industrial centres of the north. In spite of this, though, the Orléannais is not idle.

Orleans is the obvious pointe de départ for all the wonderland of the Renaissance which is to follow, but itself and its immediate surroundings have not the importance for the visitor, in spite of the vivid historical chapters which have been written here in the past, that many another less famous city possesses. By this is meant that the existing monuments of history are by no means as numerous or splendid here as one might suppose. Not that they are entirely lacking, but rather that they are of a different species altogether from that array of magnificently planned châteaux which line the banks of the Loire below.

To one coming from the north the entrance to the Orléannais will be emphatically marked. It is the first experience of an atmosphere which, if not characteristically or climatically of the south, is at least reminiscent thereof, with a luminosity which the provinces of old France farther north entirely lack.

As Lavedan, the Académicien, says: "Here all focuses itself into one great picture, the combined romance of an epoch. Have you not been struck with a land where the clouds, the atmosphere, the odour of the soil, and the breezes from afar, all comport, one with another, in true and just proportions?" This is the Orléannais, a land where was witnessed the morning of the Valois, the full noon of Louis XIV., and the twilight of Louis XVI.

The Orléannais formed a distinct part of mediæval France, as it did, ages before, of western Gaul. Of all the provinces through which the Loire flows, the Orléannais is as prolific as any of great names and greater events, and its historical monuments, if not so splendid as those in Touraine, are no less rare.

Orleans itself contains many remarkable Gothic and Renaissance constructions, and not far away is the ancient church of the old abbey of Notre Dame de Cléry, one of the most historic and celebrated shrines in the time of the superstitious Louis XI.; while innumerable mediæval villes and ruined fortresses plentifully besprinkle the province.

One characteristic possessed by the Orléannais differentiates it from the other outlying provinces of the old monarchy. The people and the manners and customs of this great and important duchy were allied, in nearly all things, with the interests and events of the capital itself, and so there was always a lack of individuality, which even to-day is noticeably apparent in the Orleans capital. The shops, hotels, cafés, and the people themselves might well be one of the quartiers of Paris, so like are they in general aspect.

The notable Parisian character of the inhabitants of Orleans, and the resemblance of the people of the surrounding country to those of the Ile of France, is due principally to the fact that the Orléannais was never so isolated as many others of the ancient provinces. It was virtually a neighbour of the capital, and its relations with it were intimate and numerous. Moreover, it was favoured by a great number of lines of communication by road and by water, so that its manners and customs became, more or less unconsciously, interpolations.