The interior, no less than the exterior, impresses one as being something which has lived in the past, and yet exists to-day in all its original glory, for the present proprietor, with the aid of an admirable adviser, M. Lucien Roy, a Parisian architect, has produced a resemblance of its former furnishings which, so far as it goes, is beyond criticism.
There is nothing of bareness about it, nor is there an over-luxuriant interpolation of irrelevant things, such as a curator crowds into a museum. In short, nothing more has been done than to attempt to reconstitute a habitation of the fifteenth century. For seventeen years the work has gone on, and there have been collected many authentic furnishings contemporary with the fabric itself, great oaken beds, tables, chairs, benches, tapestries, and other articles. In addition, the decorations have been carried out after the same manner, copied in many cases from contemporary pictures and prints.
To-day, the general aspect is that of a peaceful household, with all recollections of feudal times banished for ever. All is tranquil, respectable, and luxurious, and it would take a chronic faultfinder not to be content with the manner with which these admirable restorations and refurnishings have been carried out.
One notes particularly the infinite variety and appropriateness of the tiling which goes to make up the floors of these great salons—modern though it is. The great chimneypieces, however, are ancient, and have not been retouched. Those in the Salle des Gardes and the Salle where was celebrated the marriage of Charles VIII. and Anne de Bretagne, with their ornamentation in the best of Gothic, are especially noteworthy.
This latter apartment is the chief attraction of the château and the room of which the present dwellers in this charming monument of history are naturally the most proud. To-day it forms the great dining-hall of the establishment. Mementos of this marriage, so momentous for France, are exceedingly numerous along the lower Loire, but this handsome room quite leads them all. This marriage, and the goods and lands it brought to the Crown, had but one stipulation connected with it, and that was that the Duchesse Anne should be privileged to marry the elderly king's successor, should she survive her royal husband.
Louis XII. was not at all opposed to becoming the husband of la Duchesse Anne after Charles VIII. had met his death on the tennis-court, because this second marriage would for ever bind to France that great province ruled by the gentle Anne.
In the Salle des Gardes are six valuable tapestries representing such heroic figures as Cæsar and Charlemagne, surrounded by their companions in arms.
From the towers, on a clear day, one may see the pyramids of the cathedral at Tours rising on the horizon to the northward. Below is the Château de Villandry, where Philippe-Auguste met Henry II. of England to conclude a memorable peace. To the right is Azay-le-Rideau, and to the extreme right are the ruined towers of Cinq-Mars and its Pile. Nothing could be more delicious on a bright summer's day than the view from the ramparts of Langeais over the roof-tops of the charming little town in the foreground.
Some time after the Revolution there was found, in the gardens of the château, the remains of a chapelle romaine which historians, who have searched the annals of antiquity in Touraine, claim to have been the chapel in honour of St. Sauveur which Foulques V., called le Jeune, one of the five Counts of Anjou of that name, constructed upon his return from his voyage to Palestine in the twelfth century. To-day it is overgrown with a trellised grapevine and is practically not visible, still it is another architectural monument of the first rank with which the not very ample domain of the Château de Langeais is endowed.