At the left of this stairway tower is the principal courtyard façade, supported by four arcades, pierced with great windows and surmounted by two fine dormer windows, all in the style of Louis XII, of which the same effects to be observed at Blois and in the Hotel d'Alluye are contemporary.
At the left of the inner court is the wing built by Cottereau which terminates in a great round tower, while to the right is that erected by Madame de Maintenon ending at the donjon. Directly opposite is a magnificent vista over the canal of ornamental water framed on either side by patriarchal trees and having as a background the silhouette of the arches of the famous aqueduct which was to lead the waters of the Eure to Versailles.
The interior of the chateau is not less remarkable than the exterior. Entering by the tower portal one comes at once to that magnificent grand escalier which is accounted one of the wonders of the French Renaissance.
The Salle à Manger of to-day was the old-time Salle des Gardes. It is garnished with a fine wainscoting and panels of Cordovan leather. The Chambre à Coucher of Louis XIV, to the left, is to-day the Salon, and here are to be seen portraits of Louis XIV, Louis XII, Francis I, Henri IV, and Louis XIII.
A tiny rotunda contains a statue of Henri IV as a child, and portraits of Madame de Maintenon and Louis XIV in their youth. A portrait gallery of restrained proportions contains effigies of Madame de Maintenon and her niece Mademoiselle d'Aubigné, the Duc de Penthièvre, the Comtesse de Toulouse, the Duc de Noailles, the Duchesse de Villars and the Duchesse de Chaumont.
Aqueduct of Louis XIV at Maintenon
The show-piece of the chateau, albeit of recent construction, is known variously as the "Grand Galerie" and the "Longue Galerie." Its decorations are due to the Duc de Noailles, the father of the present proprietor. Virtually it is a portrait gallery of the Noailles family, going back to the times of the Crusaders and coming down to the twentieth century.
The apartments of Madame de Maintenon form that portion of the chateau which has the chief sentimental interest. In an ante-chamber is a chaise à porteurs once having belonged to the Marquise, and her portrait by Mignard. Cordovan leather is hung upon the walls, and the restored sleeping-room is hung with a canopy and separated from the rest of the apartment by a balustrade in bois doré. Above the chimney-piece is a portrait of Louis XIV, after Rigaud, and, finally, the oratory is ornamented by a series of elegant sculptures in wood and a magnificent Boule coffer.
In the left wing is found a beautiful chapel of the fifteenth century, which is very pure in style. It is decorated with a series of Renaissance wood panels of the finest workmanship. The coloured glass of the windows is of the sixteenth century.