"We were assembled round a horrible bill of fare, which would not be good enough for one of our humblest cook-shops. But the English are extraordinary folk. When I saw the reappearance, for the fourth time, of the fatal dish of three compartments, for badly boiled potatoes, for peas looking poisonously green, and for cauliflower drenched with a glue-like substance, I declined, and sighed for Poledor, who nourished my studious youth on a dainty repast at a shilling per day."
The modern tourist, and especially the tourist by automobile, has done more for the improved conduct of the wayside hotel, and even those of the large towns, than whole generations of travellers of a former day.
Once the hotel drew its income from the hiring-out of posting-horses, and the sale of a little food and much wine. As the old saying goes: "Four horses and four bottles of port went together in the account of every gentleman." Travellers of those days, if comparatively few, were presumably wealthy. To-day no one, save the vulgar few, ever cares that the innkeeper, or the servants, should suspect him of being wealthy.
It's a failing of the Anglo-Saxon race, however, to want to be taken for bigger personages than they really are, and often enough they pay for the privilege. This is only natural, seeing that even an innkeeper is human. Charges suitable for a milord or a millionaire have been inflicted on Browns, Joneses, and Robinsons simply because they demanded such treatment—for fear they would not be taken for "gentlemen." Such people are not numerous among real traveling automobilists; they are mostly found among that class who spend the week-end at Brighton, or dine at Versailles or St. Germain or "make the fête" at Trouville. They are known instinctively by all, and are only tolerated by the hotel landlord for the money they spend.
The French cook's "batterie de cuisine" is a thing which is fearfully and wonderfully displayed in all the splendour of polished steel and copper; that is, it is frequently so displayed in the rather limited acquaintance which the general public has with the cuisine of a great hotel or restaurant, whether it be in Paris, London, or New York.
In provincial France it is quite another thing. The chef-patron of a small hotel in a small town may be possessed of an imposing battery of pots and pans, but often, since he buys his pâtisserie and sweetmeats of the local pastry-cook, and since his guests may frequently not number a dozen at a time, he has no immediate use for all of his casseroles and marmites and plats ronds and sauteuses at one time, and accordingly, instead of being picturesquely hung about the wall in all their polished brilliancy, they are frequently covered with a coating of dull wax or, more banal yet, enveloped in an ancient newspaper with only their handles protruding. It's a pity to spoil the romantically picturesque idea which many have of the French batterie de cuisine, but the before-mentioned fact is more often the case than not.
Occasionally, on the tourist-track, there is a "show hotel," like the Hôtel du Grand Cerf at Louviers (its catering in this case is none the worse for its being a "show-place," it may be mentioned) where all the theatrical picturesqueness of the imagination may be seen. There is the timbered sixteenth-century house-front, the heavily beamed, low ceiling of the cuisine, the great open-fire chimney with its broche, and all the brave showing of pots and pans, brilliant with many scrubbings of eau de cuivre, to present quite the ideal picture of its kind to be seen in France—without leaving the highroads and searching out the "real thing" in the byways.
On the other hand, in the same bustling town, is the Mouton d'Argent, equally as excellent in its catering (perhaps more so), where the kitchen is about the most up-to-date thing imaginable, with a modern range, mechanical egg-beaters, etc. This last is nothing very wonderful to an American, but is remarkable in France, where the average cook usually does the work quite as efficiently with a two-tined fork, or something which greatly resembles a chop-stick.
In the cuisine electric lights are everywhere, but the up-to-dateness here stops abruptly; the salle à manger is bare and uninviting, and the rooms above equally so, and the electric light has not penetrated beyond the ground floor. Instead one finds ranged on the mantel, above the cook-stove in the kitchen, a regiment of candlesticks, in strange contrast to the rest of the furnishings. Electric bells, too, are wanting, and there is still found the row of jangling grelots, their numbers half-obliterated, hanging above the great doorway leading to the courtyard.