The dwindling spire has a dozen facets which in some mysterious way unite with the octagon of the belfry in a manner that leaves nothing to criticize.

Within the cathedral there are some acceptable mural decorations in the wall space above the western arch of the transept crossing. There are also a number of funeral monuments, finely sculptured and quite remarkable of their kind. One, a "Christ in the Sepulchre," is admirably executed in the sixteenth-century style of Koempf, who is responsible also for the elaborate pulpit.[{96}]

There are two other churches in Freiburg of more than usual interest; the parish church with a fine fourteenth-century cloister, and the Protestant temple, a modern structure in the Byzantine style, which has been built up on the remains of the church belonging to the ancient Benedictine convent of Tönnenbach, which existed in the twelfth century.

In the chapel of the university are a number of paintings by Holbein.

[{97}]

IX

STRASBURG

The greatest curiosity of Strasburg is the Rhine; after that, its cathedral.

Usually, on entering Strasburg, the first landmark that greets one's eye is the slim, lone spire of the cathedral.