XXXII
ST. PAUL TROIS CHÂTEAUX
St. Paul Trois Châteaux is a very old settlement. As a bishopric it was known anciently as Tricastin, and dates from the second century. St. Restuit was its first bishop. It was formerly the seat of the ancient Roman colony of Augusta Tricastinorum. Tradition is responsible for the assertion that St. Paul was the first prelate of the diocese, and being born blind was cured by Jesus Christ. This holy man, after having recovered his sight, took the name of Restuit, under which name he is still locally honoured. One of his successors erected to his honour, in the fourth century, a chapel and an altar. These, of course have disappeared—hence we have only tradition, which, to say the least, and the most, is, in this case, quite legendary.
The city was devastated in the fifth century by the Vandals; in 1736 by the Saracens; and taken and retaken by the Protestants and Catholics in the fourteenth century.
As a bishopric the "Tricastin city" comprised but thirty-six parishes, and in the rearrangement attendant upon the Revolution was suppressed altogether. Ninety-five bishops in all had their seats here up to the time of suppression. Certainly the religious history of this tiny city has been most vigorous and active.
The city conserves to-day somewhat of its ancient birthright, and is a picturesque and romantic spot, in which all may tarry awhile amid its tortuous streets and the splendid remains of its old-time builders. Few do drop off, even, in their annual rush southward, in season or out, and the result is that St. Paul Trois Châteaux is to-day a delightfully "old world" spot in the most significant meaning of the phrase.
Of course the habitant still refers to the seat of the former bishop's throne as a cathedral, and it is with pardonable pride that he does so.
This precious old eleventh and twelfth-century church is possessed of as endearing and interesting an aspect as the city itself. It has been restored in recent times, but is much hidden by the houses which hover around its walls. It has a unique portal which opens between two jutting columns whose shafts uphold nothing—not even capitals.
In fact, the general plan of the cathedral follows that of the Latin cross, though in this instance it is of rather robust proportions. The transepts, which are neither deep nor wide, are terminated with an apse, as is also the choir, which depends, for its embellishments, upon the decorative effect produced by eight Corinthian columns.
The interior, the nave in particular, is of unusual height for a not very grand structure; perhaps eighty feet. Its length is hardly greater.
The orders of columns rise vaultwards, surmounted by a simple entablature. These are perhaps not of the species that has come to be regarded as good form in Christian architecture, but which, for many reasons, have found their way into church-building, both before and since the rise of Gothic.