The returns relative to the cinema industry are immense. Regarding attendances at these places in this country, it shows no fewer than 1,075,875,000 attendances at cinema exhibitions in the course of a single year. In the British Isles there are approximately 4,500 theatres with a seating capacity of accommodating one in every thirty-seven of the population. Upon working out these figures it shows that the entire population of the United Kingdom visits cinema exhibitions on an average once a fortnight. About 5,000 new subjects are issued each year, and some 70,000,000 feet of film are running through the projectors each week. From 80,000 to 100,000 persons are directly engaged in the various branches of the trade.

Its increased popularity in the future is assured, and its progress will depend largely upon what uses the nation makes of this new force in national education.

II
EDUCATIONAL

The Cinematograph in Schools.

Various boroughs have made forward steps in the introduction of the cinematograph in the school. The Birmingham Juvenile Organization Committee has prepared an exceedingly readable and interesting report for presentation to the Birmingham Education Committee. To expand upon this theory, an open exhibition is to be arranged and will be attended by thousands of children from the senior departments of the schools, the younger element being excluded. Teachers and officials of the Local Education Authority will lend their support.

A synopsis of prepared notes was given to the teachers and scholars. The schools are to be formed into groups, so that pupils may attend a special performance at a convenient centre at regular intervals. The programme of exhibition is to last for one hour; the films selected coming under five headings:—

(1) Literature,
(2) Geography,
(3) Science,
(4) Natural History,
(5) Composition.

Literature is represented by a pictorial representation of “The Merchant of Venice.” It is argued that by this method the children will be induced to turn to the plays after they have seen the characters portrayed upon the screen.

One feature missing is that the film cannot give the child any idea of the beauty of Shakespeare’s prose and verse. In the case of geography it is apparent that the film can efficiently take the place of the text-book. Science and natural history could be represented by films showing the life-history of the salmon and the silkworm. One suggested experiment dealing with composition is that a portion of the story be shown, and that when the children have returned to the school they should be asked to invent a title or to summarize the film as far as it has been shown, and complete it according to their own ideas. At a future sitting the remaining portion of the film would be exhibited and the children would then compare it with their own efforts.

A similar exhibition was given in Manchester before members of the Stretford Education Committee. In this instance a portable projector was used, the lighting circuit being tapped for electric power. It is openly admitted that the cinematograph has a wide field, but the idea that the cinema will ever supplant the text-book is considered unlikely.