Sometimes, to show the wondrous qualities of electricity, he would let them see it darting, like a diamond bead, through a long cylinder of water, not hurt, like other fires, by that element.
Sometimes he would place a young lady, generally the handsomest of the company, on his electrical stool; then by slily touching her dress with his magic wand, he would so fill her lovely frame with the electric fluid, that, on the approach of any young gentleman to kiss her, a spark from her ruby lips would suddenly drive him frightened and staggering back. This was called the "magic kiss."
Sometimes he would fix figures of horses cut in paper, on wires nicely poised, so as to move in circles round his prime conductor, then, from his magic wand, he would dash on them a stream of mimic lightning, which, potent as the whips and spurs of Newmarket, would set them all in full speed, bending and buckling with glorious emulation in the beautiful contest, to the great amusement of the spectators. The public named this the "electrical horse race."
Sometimes he would suspend, near the ceiling, a large flock of finely picked cotton, or place on a distant table, a paper of gunpowder; then from his wires, artfully directed, he would send a flash of lightning, instantly exploding the powder, and wrapping the cotton into a blaze.
Sometimes he would take the model of a double-geared water mill, turning two pair of stones, and placing it near his prime conductor, direct a stream of electric fire against the large wheel, setting it in motion, and with it the whole machinery of his mill, to the equal surprise and pleasure of the beholders.
Sometimes he would take the figures of the sun, moon, and earth, cut in papers, and fix them on wires, nicely balanced. Then, by the force of the electric fluid, he would set them a-going in most harmonious style—the earth revolving round her own axis; the moon round the earth; and both round the sun; all exactly according to the course which the hand of the Creator had prescribed to these mighty orbs.
For the sake of those who have never considered this wonderful attraction of lightning to iron rods, I beg leave to relate the following very extraordinary and daring experiments of Dr. Franklin.
In a large chamber, which he kept for his electrical apparatus and experiments, he suspended a number of bells, all connected by wires, and communicating, through the gable end of the house, with the large lightning rods that descended along the chimney to the ground. His aim in this contrivance was, that he might know whenever a lightning cloud passed over his house in the night; and also what freight of electrical fluid it carried about with it. For, as it seldom passes, without paying a loving visit to his rod, so it always told, with great honesty, the amount of its inflammable cargo, especially if it was ample; in which case, it was always sure to set the bells a ringing at a terrible rate.
And besides these, he had numbers of men and women of the Lilliputian stature, cut in paper, and so artfully attached to the clappers, that as soon as the bells began to ring, the men and women began to dance also, and all of them more and more merrily, according as this extraordinary kind of music played up more briskly. But though, for the amusement of his friends, Franklin would sometimes set his bells and dolls to ringing and dancing, by his electricity, yet his main object was, to invite the lightnings to be the bell ringers, and dancing masters to his puppets, that, as before observed, he might become better acquainted with the nature of lightning, and thus extend his electrical experiments and knowledge.
But it must be owned, that when the lightnings were drawn down for this purpose among the bells and wires of his chamber, the entertainment was almost too terrible to be agreeable to any but philosophers.