MR. CRAIG WEDS MISS SCHELL

Mr. Joe Craig and Miss Cora Schell, both of Mena, were quietly married at the Hotel Main, Durant, Okla., Monday, and are boarding at this hotel. Mr. Craig is well known as a skilful bricklayer, honest and industrious. The bride is well known in this city and proved her worth by the years she served the Lochridge Dry Goods Company as cashier. She is a member of the Woodmen Circle and carries a large insurance. We regret that she must leave, but like Rebekah of old, she leaves home, family, and friends to travel the journey of life with her "Isaac" (Joe) in a distant land. We feel that the expression of all her friends is that the best this world affords will be theirs to the end of their journey and that a new life awaits them in another and higher sphere.

169. Essentials of the Sentence.—If a reporter can write grammatically correct sentences,—if he can coördinate and subordinate accurately the different parts; if he can give all the pronouns definite antecedents; if he can keep his verbs consistent, having them agree in person and number with their subjects; if he can make effective use of ellipsis,—his sentences will possess the first essentials of a good sentence,—accuracy. If he can make his sentences clear and forceful,—if he can keep grammatically connected words, phrases, and clauses close together; if he can eliminate lengthy parenthetic expressions; if he can avoid unnecessary shifts of subjects within sentences; if he can make readily clear the relation of every phrase in a sentence to every other phrase in it and adjoining sentences; if he can put important ideas at the beginning and the end of the sentence; if he can make his sentences short and concise; if he can acquire delicacy of expression,—his sentences will possess the second requisite of a good sentence,—interest. Accuracy and interest, these are the elements that make a sentence good. And the greater of these is accuracy.

XIII. WORDS

170. Accuracy and Interest.—For words, as for sentences and stories, the same law holds,—accuracy and interest. If one's words are accurate and stimulate interest in the reader, they are good.

171. Accuracy.—Accuracy comes first. It is necessary always to write with a nice regard for exact shades of meaning. As Flaubert declared, "Whatever one wishes to say, there is only one noun to express it, only one verb to give it life, only one adjective to qualify it. Search then till that noun, that verb, that adjective is discovered. Never be content with very nearly; never have recourse to tricks, however happy, or to buffoonery of language to avoid a difficulty. This is the way to become original." An accurate writer avoids looseness of thinking and inexactness of expression as he avoids libel. The adjective lurid is an illustration of a word over which careless reporters have stumbled for generations. When the casualties of the war against inaccuracy are recorded, lurid will be among the missing. As used by ignorant scribblers, the word means something like bright or brilliant, or perhaps towering; yet its precise meaning is pale yellow, wan, ghastly. Journalists of the last quarter of the nineteenth century will remember a long list of such sins against precision, recorded by Charles A. Dana, editor of the New York Sun. A few additions have been made to his list, and the whole is given below. The reader should distinguish keenly between each pair of words and should be careful never to misuse one of them. Do not use:

above or over for more than last for latest
administered for dealt less for fewer
affect for effect like for as if
aggravate for irritate materially for largely
allude for refer notice for observe
and for to murderous for dangerous
audience for spectators onto for on or upon
avocation for vocation partially for partly
awfully for very or exceedingly pants for trousers
balance for remainder past two years for last two years
banquet for dinner perform for play
beside for besides posted for informed
call attention for direct attention practically for virtually
can for may prior to for before
claim for assert propose for purpose
conscious for aware proven for proved
couple for two raise for rear
date back to for date from quite for very
deceased for died section for region
dock for pier or wharf spend for pass
dove for dived standpoint for point of view
emigrate for immigrate suicide as a verb
endorse for approve suspicion for suspect
exposition for exhibition sustain for receive
farther for further transpire for occur
favor for resemble universal for general
groom for bridegroom vest for waistcoat
happen for occur vicinity for neighborhood
hung for hanged viewpoint for point of view
infinite for great, vast witness for see
in our midst for among us would seem for seems
in spite of for despite

172. Clearness.—To secure interest, a word must be clear and forceful. It should not be technical or big, but simple. The biggest words in the average newspapers are the handiwork and pride of the cub reporters. Yet clearness, force, brevity all demand little words,—simplicity. And the simplest words are those of everyday speech,—Anglo-Saxon words generally,—such as home rather than residence, begin rather than commence, coffin rather than casket. The reporter who uses ornate, technical, or little-known words does so at his own peril and to the injury of his story; for the average newspaper reader, without the benefits of a college education and having a limited vocabulary of one to two thousand words, does not know and has no time to look up the meaning of unfamiliar words and phrases. This is why many city editors prefer to employ high-school students and break them in as cubs rather than take college graduates who, proud of their education and vocabularies, attempt to display their learning in every story they write. Simple, familiar, everyday words, those that every reader knows, are always the most forceful and clear, and hence the most fitting. The following is a list of words which young writers are most commonly tempted to use:

accord for give inaugurate for begin
aggregate for total individual for person
appertains for pertains obsequies for funeral
apprehend for arrest participate for take part
calculate for think, expect per diem for a day
canine for dog perform for play
casket for coffin purchase for buy
commence for begin recuperate for recover
conflagration for fire remains for body, corpse
construction for building render for sing
contribute for give reside for live
cortège for procession retire for go to bed
destroyed by fire for burned rodent for rat
donate for give subsequently for later
elicit for draw tonsorial artist for barber
hymeneal altar for chancel via for by way of

173. Force.—Force demands that one's words be emphatic. Unfortunately a reporter cannot have readers always eager to read what he writes. If he had, his readers would be satisfied with having his words merely accurate and clear. Instead, they demand that their attention be attracted, compelled. The words must be fitting, apt, fresh, unhackneyed, specific rather than general. The spectators gathered in the field must not be a vast concourse, but ten thousand persons. Nor must it be about ten thousand. The about should be omitted. A specific ten thousand persons present is much more effective and, being a round number, is a sufficient indication that no actual count has been made. In all cases where there is a choice between a specific and a general term, the specific one should be used.