The Wanderings and Homes of Manuscripts

by M. R. James

The middle of the century sees Petrarch, and with him the Renaissance begins. Italy has been producing great men in every field, but the work of Petrarch reached farther and was more enduring than that of any other.

France, tortured by wars, put forth little in the middle years, but then came Charles V., a King who was really interested in books, and the library he formed at the Louvre gave a stimulus to book-production which spread wide and lasted long. Under Richard II. and through his Queen, Anne of Bohemia, a foreign influence makes itself felt in England, and some lovely results are achieved; but on the whole English art is waning.

The Universities, and to some extent the monasteries, were throughout this century great customers for the bulky books of scholastic divinity (Duns Scotus, Albertus, and the like) and the later generation of commentators on the Bible, such as Nicolas de Lyra and Hugo de S. Caro. Many shelves are filled with these.

Fifteenth Century.—The fifteenth century is our last; it ends the MS. period. Under the influence of the Renaissance, now enormously potent, every Italian noble forms a library. The scholars are seeking out the ninth-century copies of the classics, and they discard the Gothic (black-letter) hands of the thirteenth and fourteenth centuries in favour of the Carolingian minuscule (or, some say that of the twelfth century). As early as 1426 we find books written in a script adapted and refined from this; we call it a Roman hand, though the great centre of its propagation seems to have been Florence. In all essentials it is the parent of the type in which this page will be printed.

Italy, then, is the hub of the universe for books; and in Italy, Florence, Naples, and Rome are the most active nuclei. We have a record written by a Florentine bookseller, Vespasiano Bisticci, in the form of short biographies of great persons, many of whom had dealt with him. For some he provided whole libraries, as for Frederick, Duke of Urbino, whose books are now mostly in the Vatican. Such a man as this would not look at a printed book—which in Vespasiano's mind is, of course, very greatly to his credit; for the press was bound to put an end to his particular industry. We still find, by the way, this prejudice against print in the very last years of the century. Some rich persons had MS. copies actually made from printed editions and elaborately illustrated. Such a one was Raphael de Marcatellis, natural son of Philip the Good of Burgundy and titular Bishop of Rhossus, near Antioch.[B] Part of his library may be found at Ghent, part at Holkham, and stray volumes at Cambridge (Peterhouse) and in the Arundel collection at the British Museum. They are very handsome books, and many have full-page paintings by capable artists, but the resulting impression is on the whole that of decadence.

Matthias Corvinus, King of Hungary (d. 1490), is a name famous among old bibliophiles. He got together a library of fine books, mostly recent copies made for him, and it was dispersed and sacked by the Turks in 1526. It is spoken of with bated breath by the old writers, as if it had contained priceless treasures. I am sceptical.

Ferdinand of Aragon and Calabria was a collector of the same kind, whose beautiful books, adorned with his arms in the lower margin of the first page, are many of them at Valencia, having passed to the University there by way of the Abbey of St. Miguel de Los Reyes. These are of Italian and not of Spanish manufacture, and very fine they are.

These last-mentioned libraries have been scattered, but there are still some of the Renaissance period which survive in their original homes. The Laurentian at Florence and the Vatican at Rome stand at the head of all. With regard to the latter it may be said that though earlier Popes, of course, had libraries (that of Avignon was quite considerable), yet Nicholas V. (d. 1455) must be regarded as the founder of the Vatican library in its present state. So, too, the Marciana at Venice and the Malatestiana at Cesena must rank as genuine Renaissance collections.

It was not only the great men who loved to have books. The tribe of scholars, foreign as well as native, who coveted them was numerous. Every library now has its quota of humbler copies of the classics, often on paper, in the Roman or the more cursive Italic hand, not written by a professional scribe. Often these are of infinitesimal value, transcripts of extant copies of no greater age; but there is always the possibility that they may be a competent scholar's own careful apograph of some ancient MS. which a Poggio had unearthed at St. Gall, and which has since vanished. A glance at the apparatus criticus of a few editions of classics will show that often a fifteenth-century MS. ranks high among the authorities for the text. Pedigree is what matters, not beauty of hand, nor, necessarily, date.

It has been the fate of these scholars' books, as it is the fate of all MSS., to be absorbed into great libraries, and many of them lurk there still unexamined and their origin undetermined. Discoveries, no doubt, yet remain to be made among them.