All in favor of numbering Jacob among the "Wide Awakes," say aye!
SURPRISED.
I.
"Mitz" began to cry piteously. "Mieu—mieu—mi-e-e," he cried, and all little Hannah's trotting only made him worse. At that moment "Mitz" was wrapped in a pillow-case, while his head was buried in Hannah's little shawl. His ears were pulled down, and his promising tail was all in a heap, and his resplendent moustache was crushed. Therefore was it a wonder that Mitz howled most dolefully? It is not necessary to say that Mitz was a kitten.
Mitz's mother was sitting in a corner of the fire-place, with tail neatly curled about her paws. Three of Mitz's brothers and sisters were lost somewhere in the shadow about her, and two others the children had put to bed.
It was a queer old room in an old German house; a room large and dim, with two great windows full of
diamond-shaped panes, and on the opposite side a huge chimney with a tall, narrow mantel-shelf and a tiled hearth, on which stood two brass griffins, shiny and ferocious. In the depths in the fire-place, behind the griffins, there Mitz was sobbing. I say sobbing because the children were playing "house," and Mitz was supposed to be the baby. What a fine play-house this big fire-place was in summer! It had in turn figured as Aladdin's cave and a school-house; a brigand ambush, and a dwelling with modern improvements. But now it was growing dark in the big, bare room, and you had to look closely into the back of the hearth to see the two little figures—one trotting the baby, and the other rocking the doll's cradle in which two of Mitz's sisters were tied with cord, for their good, of course. But Mitz's piteous cries raised echoes.
"Mieu, mieu!" cried Mitz, trying to claw something under the pillow case. "Mieu, mieu!" chimed in Mitz's sisters, while little Hannah trotted desperately, and the doll's cradle was rocked as if by a small tempest.