The house is very quiet. Jane and Dimbie are out in the woods gathering sprays of red-tinted brambles, briony, traveller's joy, bracken, which though fading is of that golden tinge which is almost more beautiful than the green, hips and haws shining and scarlet, and clusters of berries of the mountain-ash. This collection of autumnal loveliness is for the decoration of the cottage, for is not Jane to be married to-morrow? Mother and Peter have gone for a stroll as Peter calls it, or for a gallop as mother terms it, for Peter can get up as much speed, in spite of his gouty leg, as Amelia can with my Ilkley couch.

Amelia has "run" to the village for innumerable things forgotten this morning when the grocer's boy clamoured for orders. And the Help I should imagine, from the quiet of the house, has fallen asleep over the kitchen fire. The Help, from what Amelia tells me, is very stupid and is no help at all. She puts the blacking on the scullery floor instead of on the boots. She never screws the stopper on to the Shinio bottle after use, and the contents are therefore spilled all over the place. She allows the handles of the knives to lie in water. "Does she take them off the blades?" I asked, and I received one of Amelia's halibut looks. She forgets to sprinkle tea-leaves on the carpets before brushing them, though the tea-leaves are put all ready for her in a nice clean saucer. And yet, in spite of all these enormities, Amelia permits her to remain and not help.

Before "running" to the village just now she wondered whether anything would go wrong during her temporary absence and what the Help would be up to.

"She's worse than her at Tompkinses'."

"The one who wore half a pound of tea as a bustle when she left at night?"

Amelia seemed pleased at my memory, and she then went on to explain why this Help was worse than the other. It appeared that deceit was her besetting sin. The other one openly, so to speak, wore tea as a bustle; this one you could never catch. She would leave of an evening with a face like the Song of Solomon—I did not see the connection, but did not like to interrupt—and yet butter, bacon, and tea disappeared miraculously. Amelia would search her hand-bag when the Help was washing up; she would look under the lining of her crêpe bonnet. "Crêpe!" I said. "Is she a widow?"

But Amelia said she wasn't, that the bonnet had been given to her by a late employer, and the crêpe was of the best quality. I felt remiss in not having a crêpe bonnet too to present to the Help, and asked Amelia if she thought my old yellow satin dancing frock would be of any use to her, and Amelia has gone off without replying. Perhaps she would like the frock for herself. I know she can dance, for have I not seen her executing the cakewalk in Dimbie's tea-rose slippers?

The Help is to wear a cap and collar and cuffs for to-morrow's festivities. Amelia is making her do this; and I am a little sorry for the poor Help, for she may dislike a cap very much, having a husband and four nearly grown-up children.

Amelia says that she and the Help will be able to manage the guests quite easily, and I believe her. I know that she alone would be quite equal to forty, and we are only expecting ten besides the house-party. A younger brother of Dr. Renton is to be best man; and then there will be Nanty; a Miss Rebecca Sharp, a Suffragist, and cousin to Jane; Dr. Renton's married sister and her husband; his housekeeper, who has served him faithfully like a housekeeper in a book for nearly twenty years; a Mrs. Wilbraham, an old patient, who has invited herself; and Professor Leighrail. Dimbie suggested inviting the last, and I jumped at him.

"He will entertain Nanty," I said.