There was a stir among the people, as when the wind blows through the trees of the forest. I heard the royal salute, the clash of arms, and Lah had taken her place on the throne beside me. Then Agno raised his staff, and the band of players in the centre of the court struck from their rude instruments the first measures of a dance. At the wild fantastic prelude, two doors at the Temple’s end swung back on their central pivot, and from each appeared six maidens clad in white. They wore silver girdles, and the veils on their heads were caught each with a crescent of silver.

These were the twelve, the fairest in the land, chosen by the priests from out the people. They were to dance before the statue of the god, and the god himself would show by his nod, which of the number was to be his bride.

I knew but all too well that on Astolba the lot would fall; but these poor girls, her companions, were ignorant of their fate, and bound by their awful rites, as I knew them to be, not one among them but looked her anguish and her fear. With a slow gliding movement in time to the music they took their stand before the veiled figure of Edba and the leering image of Hed. I saw Astolba take her place with the rest, and I glanced at the watchful eyes of my two guards who hung, ready to spring, like eager mastiffs at either hand.

Then the music changed. Again Agno raised his staff, and, with a wild barbaric gush of melody, the centre door swung open. Four priests in costly scarlet raiment advanced, bearing on their shoulders a litter garlanded with flowers, and on this litter, attired as a king, but bound a prisoner, I saw my friend Lestrade.

The royal salute was given, and the people fell on their faces. Then the bearers put the litter down and knelt with bowed heads before their captive. Again Agno waved his wand of office.

A deep shuddering sigh ran through the waiting throng as they stood erect. The bearers, too, had risen. I saw them strike the fetters from the victim’s feet and hands. Then, closely guarded, he was bound to the horns of the altar, the sacrificial stone standing in the centre of the inner circle, before the statues of the gods. I noted that between that stone and me lay a pit sunk in the floor of the court, and in the pit a giant python coiled asleep.

But once more the musicians struck their instruments and began the fantastic strains that heralded the dance. I saw the reptile move uneasily. Then its great head was raised. It swayed from side to side, as the music rose and fell.

Agno gave the signal, and the maidens began their dance. It was a kind of raised platform of marble on which they moved, and it was strangely inlaid with tiles both green and white. Only in the centre, just before the image of Hed, was set a single blood-red stone, and over this each maiden was forced in the mazes of the dance to go.

I saw them tremble and falter with terror as they stepped upon this tile, and how their courage rose when once it was safely passed.

The people watched with horrible eagerness all the scene. I glanced covertly at my guard, and I perceived with joy that I was forgotten for the moment.