With a swift movement she dropped them into the pocket of her brown linen pinafore, and, turning backward toward the Moosatuk, let the beauty of the vista—which at that point was framed by the mottled trunks of two gigantic plane trees that linked their gnarled branches across the roadway—take the place of speech for a few moments.
“Then you too love the river, and turn to it as I do,” Stead said, watching her face, and attributing its changeful expression, now wrapt, now alert, to its influence.
“Yes, surely,” she answered, looking far off and beyond, “and I think I must have known it somewhere in dreams, perhaps before ever I saw it. You do not know that when I was only a child I christened all over there, as far as eye can see, my River Kingdom, and said that some day I would be fairy queen of it!”
“Yes, I know; Dr. Russell once told me of your gypsying,—and now?” Stead dropped Manfred’s bridle that he had been holding, and drew a step nearer to the young woman, while the horse, feeling his liberty, began to crop the tender tufts of grass that were growing between the wheel tracks. “Is it not still your kingdom?”
“Yes and no. The kingdom is still there, but fairy days have flown away with their kings and queens, and all of that; it is only a corner of the same big round workaday world, though an enchanted one, and I am only just one woman in it, not even a gypsy queen. The river alone has not changed: when I am quiet, it soothes me; when I am restless and dissatisfied, it moves for me and cools the fever. This winter, when it was frozen and buried, I too felt turned to stone at times, or as if I stood by watching the face of some one I loved who was dead. If the ice had lasted another month, I do not think I could have borne it,” and Brooke, as she gazed, clasped her hands before her with a gesture half supplication, half resolution, that had always been peculiarly her own.
Then Stead saw that the hands, with the firm, but slender fingers that tell of the artistic temperament, were no longer white and rose-tipped, but roughened and seamed like the ground itself with the stress of the winter,—the patient hands of the woman who works, not of the queen who toys.
Suddenly the frost wherein his heart had been encased, numbing him all these eleven years, melted in the sunshine of her simple, wholesome womanliness, and broke away with a swift wrench, like the ice of the river in the force of the freshet. The red blood pulsed anew and sang in his ears the eternal spring song that was all forgotten, or worse yet, disbelieved; for a single moment it swirled him about, and hurried him along, struggling uselessly, backward toward youth,—a perilous journey.
Manfred, who had cropped all the grass within easy reach, now nibbled sharply at his master’s pocket for sugar; with an impatient gesture Stead turned—and the moment passed; while Brooke, once more sweeping the landscape with her gaze, slowly stretched out her arms toward it unconsciously, and began to climb the hill again. The last detail of it all that lingered in her memory was the ploughman following in the furrow that his strength made true, and as the two walked slowly homeward, the ploughman in his turn stopped, and, lifting his hat to cool his head, stood watching them.
Robert Stead stopped at the barn to show the Cub, now in the first enthusiasm of the coming trout season, how to repair an old rod of his father’s that had grown brittle from disuse, and Brooke carried the letters to her mother, reading that from Lucy; but she took the one marked Overveen to her own room presently, where, sitting by the window, she opened it slowly. It held a single sheet that bore these words—random verses from the “Lost Tales of Miletus,” carefully copied—no less, no more!
But haunted by the strain, till then unknown,