On the feast of Stephen,
When the snow lay round about,
Deep and crisp and even!”
sang the violin with pathetic accent, and then stopped abruptly, as the player dropped the bow and pressed his face against the window. The stars shone from the cold blue of a cloudless sky; below lay the city ablaze with light. It was a Danish city, and the player was a Dane, but when a violin sings, it speaks to each one in his own language. Bells pealing from a neighbouring church took up the same carol of Christmastide, and young voices echoed it faintly from within the doors of many homes.
On that Christmas night, two young women were drilling childish voices in the singing of the same tune. These women had never met, or either even dreamed of the other’s existence, yet a current, as actual as the sound-waves of the music, at that moment began to draw them together, the player of the violin, Gurth Waldsen, being the unconscious medium.
Waldsen looked from the window at the outlines of the palace across the water, its ramparts twinkling with lights that looked like reflections of the brilliant winter stars, but his thoughts did not follow his sight. In a few days he would be an exile from both home and country, and though the leaving was wholly voluntary, yet the past and present struggled together. A visionary in many respects, refusing to understand social classification as read by his family, he had, in his mother’s eyes, capped the climax of his folly on his graduation from the University by refusing a diplomatic career, insisting upon earning his bread literally by the sweat of his brow, and betrothing himself to a pretty, modest, blue-eyed girl of a near-by village,—“A girl of the people,” his mother called her, for though she had been carefully reared, her father, a poor pastor, had been taken from his peasant brothers and educated for the ministry because he was both docile and fragile.
Waldsen’s mother was the controlling power of the family. His father, long since dead, had been a dreamer, a musician, and something of a poet, whose wife had married him in a fit of girlish romance, and then lived to scorn him for his lack of ambition and reproach herself for marrying beneath her. Her only son should make no such mistake; she would oversee at least his social education, but she completely overlooked the matter of heredity.
So little Gurth grew up with only one parent. At ten the boy was tall and undeveloped, with a shock of strange golden-brown hair that he shook back as he played the violin, his greatest pleasure; but at twenty-two he was a slender man with a gold-tipped beard, straight nose, and blue-gray eyes, that looked at and through what he saw, all his features being softened by his father’s dreamy temperament.
Mrs. Waldsen, therefore, set her face against the marriage with the bitterness of her disappointment stung to fury by the memory of her own past. If she loved her son, it was for her own gratification, not for his, and now, as her world was beginning to talk of him, his bearing and gentle accomplishments, should she allow him to be taken from her?
Gurth had waited several months after the first rebuff, hoping that time would mend matters. Andrea could not marry yet; she was the foster-mother to four small brothers, and managed the little household for her overworked and underpaid father, but in another year Theresa, the younger sister, would be able to take her place. Time, however, did nothing but rivet Mrs. Waldsen’s decision, and in the interval the knowledge of her treatment of his father came to Gurth, and he knew then that argument was hopeless. He had some money of his own, though merely a trifling legacy from an uncle, and his last interview with his mother brought to an end all idea of remaining in Denmark. This was what he was fighting alone in his study that Christmas night, when, turning to his violin for sympathy, it sang the half-sad carol that Andrea had been teaching her little brothers the last time that he supped with her.