In spite of her passionate indignation and pleading, this man had been welcomed as an honoured guest by her infatuated brother, who listened with ready ears to the lame and feeble excuses with which de Coray strove to explain the past. All was forgiven and forgotten to the brother of the lovely Diane, and it needed but a brief space for de Coray to attain a firm command over his future brother-in-law's weak and wavering will. That she should be forced into some hateful marriage or condemned to a convent cell was Gwennola's daily expectation, but so far the blow had not fallen. It is true that Maurice de Laferrière still wooed, but no formal betrothal had taken place. Yet all hopes of a marriage with her lover were shattered for ever, not only by reason of France's threatening attitude towards the persecuted duchy, but because of the bitter enmity of de Coray, who had successfully persuaded de Mereac that the Frenchman had been the ally of François Kerden.
No wonder, therefore, that Gwennola's heart was heavy as she sat, perforce, alone and solitary, amidst the revelry around.
"A new minstrel!" cried Yvon with a gay laugh. "Nay, my friend, by the bones of St Yves, thou comest in a fortunate hour. Thy name, good fellow? and a cup of wine to clear thy throat before thy song."
The stranger bowed as he accepted the cup and glanced towards the speaker.
"My name, monsieur," he replied in the Breton tongue, "is Jean Marcille, and my birthplace near to Cape Raz."
"Good," replied the host. "A true Breton; and a Breton ballad of Breton prowess is ever welcome at the Château de Mereac. Eh, old Antoine? A new strain will be as welcome to us as a rest is to thee; therefore sing us a stirring lay, Sir Minstrel, and see that its theme be of love and war, for of such things all true knights make their dreams and fair ladies welcome."
Again the minstrel bowed, and, taking his vielle in his hand, swept the chords ere he began his song, glancing as he did so round the long board, though his eye seemingly rested on none. He himself was a sufficiently striking figure to cause interest, especially at the lower end of the table, where the waiting-women eyed with appreciation the slight, well-formed figure in its corset of scarlet cloth and wide hanging sleeves, and the cap of velvet, nearly half a yard in height, set jauntily on the man's dark hair, which well matched his bronzed complexion and black, merry eyes, which seemed to promise a boon companion of a gay wit and keen tongue.
The visit of such a vielleur was not uncommon to the châteaux of the great; for although nearly all possessed a minstrel of their own, a fresh repertoire was always welcomed, music and singing being an almost necessary accompaniment to the meal.
Jean Marcille was evidently the possessor of a voice of no mean merit, and thunderous applause greeted song after song. Wild ballads of ancient Brittany he sang, telling of the fate of the wizard Myrddyn, who, for all his wisdom, was beguiled to tell his secret to the treacherous Vyvyan, knowing all the while of her cruel intention, yet unable to withstand the siren wiles of her woman's tongue, and so lies sleeping for ever in his tomb in the forest of Broceliande, under the fatal stone where his false love has enchanted him. Then, still pursuing the mournful themes with which Brittany seems to abound, and which her children hold so dear, he sang of the romantic loves of Abelard the sage and Helöise the beautiful—loves which, crushed and killed in sorrow and despair, bloomed immortally in poetry and song. But presently his voice rang with a more martial strain, as, sweeping the chords of his harp, he sang the inspiriting songs of valour—songs these, perchance, of his own weaving, for they told of the distresses of the fair young Duchess Anne, of her helpless condition amongst ravening enemies, of her gallant Bretons rallying around her, of the intrepidity of Breton heroes, of the siege of Gwengamp, where the brave Captains Chero and Gouicket defied the traitor Rohan's call, and declared that whilst there was a Duchess in Brittany they would not give up her towns; and of Tomina Al-Léan, the wife of Gouicket, who took her husband's place on the walls when he lay helpless and wounded below.
Such ballads, at such a time, when deeds of chivalry were brave men's daily acts, and ladies had no smiles for recreant knight or coward lover, never failed to stir their listeners to a frenzy of enthusiasm, and knights drew their swords as they sprang to their feet, and, with goblets in their right hands, drank to their little Duchess, and flung the shivering glass to the ground.