In some parts of this city of three million inhabitants the quays disclose scenes that are almost rural. Under the fluttering leaves of a slender tree a rotund housewife is making over a mattress, exchanging witticisms with a near-by vender of little cakes. Not far off the owner of a poodle is engaging his attention while a professional dog clipper is decorating him with an outfit of collar and cuffs calculated to rouse envy in the breasts of less favored caniches.

When the hero of an old English novel orders his servant to call a “fly” we wonder whether the misnamed vehicle which responds has been christened from the verb or the noun. There is no doubt in Paris as to the origin of the “fly boats” on the Seine. These busy little travelers are of insect origin—they are bateaux mouches.

What these boats are on the river the fiacres have been on land. These small open carriages

HÔTEL DE VILLE.

are now being replaced by motor taxis. The use of the meters on the horse-propelled vehicles as well as on the machines has deprived the tourist of one of the daily excitements of his visit—the heated argument with the driver concerning his charge. Another change which has been consummated since 1913 began is the passing of the horse-drawn omnibus with its “imperial” or roof seats, from whose inexpensive vantage many travelers have considered that they secured their best view of the city streets. The two subway systems have many excellent points, not least of which is a method of ventilation which makes a summer’s day trip below ground a relief rather than a seeming excursion on the crust of the infernal regions.

The Champs Élysées is thought to offer the finest metropolitan vista in the world, when the Arc de Triomphe de l’Étoile is seen across the Place de la Concorde from the Tuileries gardens, over two miles away.

Such vistas are frequent in Paris, offering a “point of view” in which a handsome building or monument finds its beauty enhanced. The regularity of the skyline adds to this effect. By a municipal regulation no façade may be higher than the width of the street and the consequent uniformity provides a not unpleasing monotony.