[5] The retreat of Pompey
[6] Nisida.
[CHAPTER V.]
Corinne revived: the affecting interest of Oswald's look restored her to some composure. The Neapolitans were surprised at the gloomy character of her poetry, much as they admired it. They thought it the Muse's task to dissipate the cares of life, and not to explore their terrible secrets; but the English who were present seemed deeply touched. Their own melancholy, embellished by Italian imagination, delighted them. This lovely woman, whose features seemed designed to depict felicity—this child of the sun, a prey to hidden grief—was like a flower, still fresh and brilliant, but within whose leaves may be seen the first dark impress of that withering blight which soon shall lay it low. The party embarked to return: the glowing calm of the hour made it a luxury to be upon the sea. Goëthe has described, in a delicious romance, the passion felt in warm climates, for the water. A nymph of the flood boasts to the fisherman the charms of her abode; invites him to taste its refreshment, and, by degrees, allures him to his death. This magic of the tide resembles that of the basilisk, which fascinates by fear. The wave rising gently afar, swelling, and hurrying as it nears the shore, is but a type of passion, that dawns in softness, but soon grows invincible. Corinne put back her tresses, that she might better enjoy the air: her countenance was thus more beautiful than ever. The musicians, who followed in another boat, poured forth enchantments that harmonized with the stars, the sea, and the sweet intoxication of an Italian evening. "Oh, my heart's love!" whispered Oswald, "can I ever forget this day, or ever enjoy a happier?" His eyes filled with tears. One of his most seductive attributes was this ready yet restrained sensibility, which so oft, in spite of him, bedewed his lids: at such moments he was irresistible: sometimes even in the midst of an endearing pleasantry, a melting thrill stole on his mirth, and lent it a new, a noble charm. "Alas!" returned Corinne, "I hope not for another day like this; but be it blest, at least, as the last such of my life, if forbidden to prove the dawn of more endearing bliss."
[CHAPTER VI.]
The weather changed ere they reached Naples: the heavens darkened, and the coming storm, already felt in the air, convulsed the waves, as if the sea sympathized with the sky. Oswald preceded Corinne, that he might see the flambeaux borne the more steadily before her. As they neared the quay, he saw some Lazzaroni assembled, crying "Poor creature! he cannot save himself! we must be patient."—"Of whom speak ye?" cried Nevil, impetuously.—"An old man," they replied, "who was bathing below there, not far from the mole; but the storm has risen: he is too weak to struggle with it." Oswald's first impulse was to plunge into the water; then, reflecting on the alarm he should cause Corinne, when she came, he offered all the money he had with him, promising to double it, for the man who would swim to this unfortunate being's assistance; but the Lazzaroni all refused, saying: "It cannot be, the danger is too fearful." At that moment the old man sunk. Oswald could hesitate no longer: he threw off his coat, and sprang into the sea, spite of its waves, that dashed above his head: he buffeted them bravely; seized the sufferer, who must have perished had he been a moment later, and brought him to the land; but the sudden chill and violent exertion so overwhelmed Lord Nevil, that he had scarcely seen his charge in safety, when he fell on the earth insensible, and so pallid, that the bystanders believed him a corpse.[1] It was then that the unconscious Corinne beheld the crowd, heard them cry, "He is dead," and would have drawn back in terror; when she saw one of the Englishmen who had accompanied her, break eagerly through the people: she made some steps to follow him; and the first object which met her eye was a portion of Oswald's dress, lying on the bank. She seized it with desperation, believing it all that was left of her love; and when she saw him, lifeless as he appeared, she threw herself on his breast, in transport, and ardently pressed him to her heart: with what inexpressible rapture did she detect that his still beat, perhaps reanimated by her presence! "He lives!" she cried, "he lives!" and instantly regained a strength, a courage, such as his mere friends could scarcely equal. She sent for everything that could revive him: and herself applied these restoratives, supporting his fainting head upon her breast, and, though she wept over it, forgetting nothing, losing not a moment, nor permitting her grief to interrupt her cares. Oswald grew better, but resumed not yet the use of his senses. She had him carried to his hotel, and, kneeling beside him, bathed his brow with stimulating perfumes, calling on him in tones of impassioned tenderness that might have waked the dead. He opened his eyes, and pressed her hand. For the joy of such a moment might one not endure the tortures of demons? Poor human nature! We guess at infinitude but by suffering; and not a bliss in life can compensate the anguish of beholding those we love expire. "Cruel, cruel!" cried Corinne; "think what you have done!"—"Pardon," he replied, in a trembling voice. "Believe me, dearest, while I thought myself dying, I trembled but for thee." Exquisite expression of mutual love and confidence! Corinne, to her last day, could not recall those words without a fondness, which, while it lasted, taught her to forgive him all.
[1] Mr. Elliot saved the life of an old Neapolitan in the manner attributed to Lord Nevil.