Gabri knew nothing about Claude Lorraine, but he exerted himself with so much kindness to pacify José, that he at length succeeded, by means of a positive promise, to satisfy, at least, the most attainable of his wishes. The Exhibition had just opened, and José from his station in Madame Barbe's shop, could see successive crowds of amateurs thronging the entrance to the Museum; and he was constantly hearing the merits of the different paintings discussed. How, then, could he help ardently longing to examine for himself those interesting works? He had once ventured timidly to approach the door of the Museum, but the dark scowl of the porter, and a slight movement of his cane, warned him to make a precipitate retreat; not that working-men of all kinds, and soldiers, cannot without difficulty gain admission into these exhibitions; but it must be owned that poor José, at his age, and in his linen pantaloons, besmeared with every colour in M. Barbe's establishment, and in his tattered and scanty jacket, presented an appearance by no means calculated to soften the rigour of so proper a gentleman. Having then confided his grief, both to his young and his old friend,—to Francisco and to Gabri,—the affair was settled in the following manner. Francisco, with his father's permission, presented his little companion with a coat, and a pair of nankeen trousers, which he had laid aside, and which could easily be made to fit José. Philip, who had for some time been working at a tailor's, eagerly offered his services. Dame Robert purchased a pretty piece of stuff, which her daughter cut out for a waistcoat; and Gabri declared that he would take upon himself to provide the hat. José burned with impatience to enjoy the generosity of his friends; but the requisite preparations necessarily took some time, for the little workers had more zeal than capacity; and, besides, they could not neglect their ordinary tasks. It was necessary, therefore, to wait, and José, finding himself alone in the shop, and wishing to divert his mind, determined to take another view of the picture which had made so deep an impression on him, and which the young painter, according to custom, had left for some time with M. Barbe. It was hung at a considerable height; José mounted a ladder, to get it down; but, thinking he heard the voice of the terrible Madame Barbe, he hastily replaced it, and, in his precipitation, brushed against the still fresh paint with his sleeve, and rubbed out a portion of the ground and almost the whole of one leg. Recovering from his fright, and finding no one approach, he again raised his eyes: judge of his dismay, on beholding what had occurred! What was to be done? What would become of him, if the young painter happened to come for his picture? What would Madame Barbe say? for, if questioned on the subject, he would not utter a falsehood. Besides, all evasion would be as useless as it would be wicked, as such an act of carelessness could have been committed by no one but him. The poor child was in despair; he already saw himself ignominiously turned out of the house; but time pressed, and he must discover some means of repairing the mischief. He could find but one. He ran to hide the picture in his room, and was presumptuous enough to rely upon his own ability to repair the fatal blemish.
It may be thought, that so daring an idea was but little likely to enter the mind of a child only thirteen years of age; but José, as we have before observed, was born with extraordinary talents for painting; besides, he knew nothing else; he occupied his thoughts with nothing else;—all that he had seen and heard from his earliest childhood had reference to painting. Neither is it without example, that remarkable talents—especially when constantly directed towards one object—have produced, even in extreme youth, very astonishing results. Some years ago at Florence, when there happened to be a fall of snow of a few inches thick, a very unusual occurrence in that climate, the children of the common people might be seen gathering it together into great heaps, forming it into giants in the principal square, and in the streets into colonnades and statues, and even into groups, in which artists themselves could not but acknowledge a remarkable imitation of the great works in the midst of which they were born; so much does the influence of what they hear and see act upon the minds and dispositions of children, and give, as a mere starting-point, to some of those who live in the atmosphere of art, that which to others less favoured proves almost a goal. It must also be remembered, that the work on which José was about to try his skill was that of a youth of fifteen, and, consequently, far from being faultless.
He had seen enough of painting to feel at no loss in charging a palette; but he wanted colours, brushes, &c.; and José well knew that, though in the midst of everything of this kind, he had no right to touch any. He therefore resolved to have recourse to the friendship of Francisco, and to ask him for the money necessary to make his purchases at a distant shop. It may perhaps appear singular that his friend Gabri did not come to his aid; but the absence of this guardian angel had been the cause of his misfortune as there was no friendly glance or hand to warn, or raise him up. Gabri, for the first time during the whole fifteen years that he had lived with M. Barbe, had asked leave of absence for a few days, in order to visit his native place; his request was so reasonable, that it could not be refused, but Madame Barbe's ill-temper was at its height when she beheld him depart without being able to obtain a single word of explanation relative to the motives which had induced him to undertake this unexpected journey.
Gabri was to return on the Sunday evening, the day following that which had proved so fatal to poor José; but to wait for his coming was impossible, this same Sunday being the only time that the poor boy had at his own disposal. He therefore hastened to M. Enguehard's, and having fortunately found Francisco alone, he confided to him his embarrassment. Francisco shuddered at his friend's danger, but was almost as much terrified at the projected reparation as at the accident itself; nevertheless, at the urgent entreaty of José, who feared lest his absence should be remarked, he gave him all the money he had, amounting to four francs ten sous. This was sufficient for José's purpose; for, as may be easily imagined, there was no question of easel, nor colour box, and he made so much haste, that his purchases were completed and hidden before Madame Barbe had once asked for him.
José was tormented during the whole of the day by the idea of his daring undertaking; and his preoccupation prevented him from being as much delighted as he would otherwise have been with his new clothes, which Philip, with an air of importance, brought home tied up in a handkerchief, in tailor fashion, under his arm. The poor boy, who expected great praise and many thanks, was somewhat disconcerted at the indifference with which José examined an invisible seam, which in spite of this qualification was even more easily distinguishable than any of the others. He therefore went off, persuaded that José was ill, for he could never attach an unkind motive to his conduct.
José, awakening with the earliest dawn, at first felt nothing but the delight of possessing colours and brushes. He prepared his rude palette with extreme care, and made this important operation last as long as he could; but when all was ready, the difficulty of commencing vividly presented itself to his mind, and caused him so much anxiety, that he remained motionless, not daring to touch a brush, when all at once a fortunate inspiration restored his courage. "I have to paint half a leg," he said to himself. "Well, then, why not copy my own? The greatest masters use models, and paint everything from nature; I can easily place one foot without inconveniencing myself. We shall see if with this assistance I cannot manage." And José commenced by cutting a caper; then looking at the figure, the legs of which, fortunately for him, were outstretched, he placed one of his own in nearly the same position, and with a trembling hand gave the first touch. By degrees that fever of enthusiasm, which always fills the mind in every kind of composition, took possession of him; he became excited; he fancied himself drawing like Raphael, colouring like Rubens; and his hand, so timid at first, worked with freedom and facility; he felt no further embarrassment, and did not cease until he had completely repaired the mischief.
Poor José, p. 264.
His task ended, José went down, to watch for an opportunity of replacing the picture without being observed. It was already late, the whole of the family were going out for a walk; and Madame Barbe was in such good humour, on account of a pretty cap which her husband had just given her, that José had no difficulty in obtaining leave to go to the Exhibition, on the understanding that he was to be back before dinner-time, to arrange certain things, which Gabri's absence had left in disorder. José, with a light heart, had no sooner lost sight of them than he hastened to hang up the picture, and smiled, as from beneath he beheld the fine effect of his work. Having now nothing to think of but the delight of possessing his new clothes, and, especially, of being privileged to pass the threshold of that door, so long closed against him, he went out, fastening with some pride the metal buttons of his coat, and entered the Exhibition, eyeing the burly porter, as he passed, with a confident air.
At that period, the noble staircase, with its double banister, which we admire at present, was not built; the square saloon of the Exhibition was reached by a side door, leading from the Place du Musée, and a staircase, which now only serves as a private entrance. This entrance was neither so convenient nor handsome as the present one; but still it was princely in its dimensions, and especially so to the unaccustomed eyes of poor José, who had never seen anything more splendid than the church of Saint Roch. Those wide steps of white stone; those walls covered with pictures, for they reached almost to the first landing-place; the tumult of the crowd which pressed forward, carrying him along with it,—all combined to throw José into a kind of bewilderment. He looked without seeing, walked without thinking, and, driven onwards by the crowd, at length found himself at the door of the great gallery of the Museum, which is left open during the Exhibition, but which at that time contained only the works of the old masters. At the sight of this immense gallery, magnificent even to those who are familiar with magnificence, José stood struck with astonishment, while an involuntary feeling of respect caused him to take off his hat. There were but few visitors in that part of the Museum; José breathed more freely, and being able to examine without being jostled, began deliciously to taste the pleasure he had so often longed for. Various pictures attracted his attention; but too ignorant to divine their subjects, there was something wanting to his enjoyment. But when, at last, he came to that picture of Raphael's, known by the name of La Vierge à la chaise, the figures could easily be recognised, and José found himself, so to speak, in the midst of his habitual acquaintances; he was able to make comparisons, having seen other church paintings; and his natural taste was so pure, and he had so remarkable an instinct for appreciating the master-pieces of art, that at the sight of this admirable production, an emotion hitherto unknown took possession of him. The more he looked, the more complete did the illusion become; the face of the divine infant seemed to become animated, and to smile upon him. José, leaning against the balustrade, extended his arms and smiled too, and in the delight of these new sensations, forgot everything else, when a noise close by him made him start and awake from his reverie. He turned his head, and beheld a man attentively examining him; he was still young, and possessed a countenance remarkable for its expression; his eyes, full of fire, were fixed with kindness upon José, who, notwithstanding his ordinary timidity, replied without embarrassment to the questions addressed to him. The stranger wished to know his name, what he thought of Raphael's picture, what were his views, his occupations, &c. José's artless statements, through which his precocious genius could readily be discerned, deeply interested the stranger. "You were born a painter, child," he said, touching José's forehead. "You already know what no master could teach you, but you must be directed, and this I will undertake to do. Here is my address, my name is G——; call upon me, I will make something of you."