"Yes!" exclaimed Gabri, as if talking to himself, "I was sure of it, I suspected as much at the exhibition.... José, José, embrace me, my son. Gracious Heaven! this is the first day I have passed without regretting the loss of my own noble boys."
Gabri was too familiar with artistic matters not to have divined the sacrifice which José's friendship had induced him to make, and his heart was capable of appreciating and rejoicing in it; but Dame Robert, who understood nothing of the matter, save that her boy was rejected, gave free vent to her dissatisfaction.
"Indeed, M. Gabri, it is very fine to pet him up after such a failure as that. Who would have thought it? It was well worth while to be shut up for two months without uttering a syllable, to let others walk off with the prize; still your picture was very fine, my boy, though, to tell you the truth, your female figure was too pale. I told you, however, not to spare your colours, but young people will always have their own way."
José smiled, and hastened to tranquillize the good woman. So far as concerned himself he succeeded without much difficulty; but she was for some time out of humour with Gabri, whose triumphant air annoyed her, because she did not understand it. Nor did she gain any information on the subject, for Gabri was discreet, and would not divulge José's secret; he did not even seek an explanation from the lad himself; but his marks of friendship were increased, and he more frequently repeated, "My son José!"
At the annual meeting of the Academy, when the students publicly receive the laurel crown, awarded for the merits of their works, José appeared more pleased than Francisco. He was restless, busying himself with his friend's toilet, &c.; and, placed in a corner of the room during the ceremony, the spectators might have imagined, from his excitement and his looks, when Francisco Enguehard was proclaimed, that he was the happy father of the young laureate, were it not that his almost childish features precluded the supposition.
A month after this great epoch for the two friends, they were separated; Francisco and his parents took the route to Italy; and José having returned to his studies, pursued them with ardour and contentment in thinking of the happiness which he had been the means of securing to three persons.
The year passed, and when again about to compete for the prize, José wrote to his friend, and told him to expect him in three months from that date. He felt confidence in himself, and had acquired so much power, that notwithstanding the merits of seven competitors, all older than himself, his picture was unanimously declared the best. It was even so superior to anything usually seen at these competitions, that it was thought proper to allow the exhibition to remain open several days longer than usual, in order to gratify the crowd of amateurs who flocked to see it. Dame Robert fully enjoyed José's triumph, and the almost equal pleasure of relating its history to her neighbours. Gabri rubbed his hands, and bent his head while listening to the praises of the young artist, and the honest Barbe exultingly boasted of having supplied for this famous picture the finest and the best canvas in his shop.
José, overwhelmed with honours, and full of joy, set out on his way to Rome, where he found Francisco, who had still four years remaining of the five granted by the government. Monsieur and Madame Enguehard received José as a second son; he lived in the same house with them, and enjoyed, in all its fulness, the delights of a life devoted to friendship and the fine arts, in that beautiful land where these arts so naturally flourish.
Many years have passed away since these events took place. Monsieur and Madame Barbe, grown rich and old, have retired, and given up their business to the excellent Gabri. A new generation of artists and students frequents the shop, and pursues pretty nearly the same habits as that which preceded it. But it is not in the same spot; the theatre of José's first exploits no longer exists. The two large posts may still, indeed, be seen; but Barbe's house has been taken down, and in its place monkeys and learned birds, attract by their various tricks, numerous spectators. Francisco Enguehard, steady and talented, is married, as he wished, to the only daughter of a rich antiquary, who desired to have for a son-in-law, a man of genius. Dame Robert has given up her business to her eldest son, and rests her fingers, if not her tongue, for she is never weary of relating to any one who will listen to her, how that José was a poor orphan, how she took him and put him to sleep on her counter, &c., &c. Philip, a worthy fellow, and a passable tailor, is married and settled, as he says, in his wife's native province, that is to say in the Marais. The poor Angevin, still a bad painter, notwithstanding all his efforts and perseverance, has returned to Angers. There, at least, he has talent, and directs in his turn the same school which sent him to Paris. He who was called poor José is now one of our most distinguished artists. He possesses a respectable fortune, acquired by his talents, and, what is far more valuable to him, the universal esteem granted to the most noble character and the most irreproachable conduct. Faithful alike to delicacy and friendship, Francisco never knew the sacrifice which obtained for him his crown. José's laurels are suspended in his magnificent studio, beside his first palette, and his shoeblack's knife. He watches over Gabri, as a son over a father; listens to the long stories of the good old Dame Robert, without the least sign of impatience; and, finally, though young, handsome, and sought after, he always wears clothes made by Philip, and boasting of little elegance, with shoes of the same kind from Dame Robert's shop: and this is not the least remarkable trait in his history.