[Scaramouche.]
It was a village fair, and Punch with his usual retinue—Judy, the Beadle, and the Constable—had established himself on one side of the green; while on the other were to be seen, Martin, the learned ass, and Peerless Jacquot, the wonderful parrot. Matthieu la Bouteille (such was the nickname bestowed upon the owner of the ass, a name justified by the redness of his nose) held Martin by the bridle, while Peerless Jacquot rested on his shoulder, attached by a chain to his belt. His wife, surnamed La Mauricaude, had undertaken to assemble the company, and to display Martin's talents. Thomas, the son of La Mauricaude, a child of eleven years of age, covered with a few rags, which had once been a pair of trowsers and a shirt, collected, in the remnant of a hat, the voluntary contributions of the spectators; while in the background, sad and silent, stood Gervais, a lad of between fourteen and fifteen years of age, Matthew's son by a former marriage.
"Come, ladies and gentlemen," exclaimed La Mauricaude, in her hoarse voice, "come and see Martin; he will tell you, ladies and gentlemen, what you know and what you don't know. Come, ladies and gentlemen, and hear Peerless Jacquot; he will reply to what you say to him, and to what you do not say to him." And this joke, constantly repeated by La Mauricaude in precisely the same tone, always attracted an audience of pretty nearly the same character.
"Now then, Martin," continued La Mauricaude, as soon as the circle was formed, "tell this honourable company what o'clock it is." Martin, whether he did not understand, or did not choose to reply, still remained motionless. La Mauricaude renewed the question: Martin shook his ears. "Do you say, Martin, that you cannot see the clock at this distance?" continued La Mauricaude. "Has any one a watch?" Immediately an enormous watch was produced from the pocket of a farmer, and placed under the eyes of Martin, who appeared to consider it attentively. The whole assembly, like Martin himself, stretched forward with increased attention. It was just noon by the watch; after a few moments' reflection, Martin raised his head and uttered three vigorous hihons, to which the crowd responded by a burst of laughter, which did not in the least appear to disturb Martin. "Oh, oh! Martin," cried La Mauricaude, "I see you are thinking of three o'clock, the time for having your oats; but you must wait, so what say you to a game of cards, in order to pass the time?" And a pack of cards, almost effaced by dirt, was immediately extracted from a linen bag which hung at La Mauricaude's right side, and spread out in the midst of the circle, which drew in closer, in order to enjoy a nearer view of the spectacle about to be afforded by the talents of Martin. "Now then, Martin; now then, my boy," continued his instructress, "draw: draw first of all the knave of hearts, and present it to this honourable company as a sign of your attachment and respect;" and already the two or three wits of the crowd had nodded their heads with an air of approbation at this ingenious compliment, when Martin, after repeated orders, put forth his right foot, and placed it upon the seven of spades.
At this moment the voice of a parrot was heard in the midst of the crowd, distinctly pronouncing the words, "That won't do, my good fellow." It was Peerless Jacquot, who, wearied at not having been called upon to join in the conversation, repeated one of his favourite phrases. The appropriateness of his speech restored the good humour of the company, who were beginning to be disgusted with Martin's stupidity; and their attention would probably have been bestowed upon Jacquot, had not Punch's trumpet been at that moment heard, announcing that the actors were ready and the performances about to commence. At this signal Martin's audience began to disperse; the ranks thinned, and the remnant of the hat, which was seen advancing in the hands of Thomas, effectually drove away those who still lingered from curiosity or indifference. All took the same direction; and Matthew, Thomas, La Mauricaude, Martin, and Jacquot followed, with more or less of ill-humour, the crowd which had deserted them. Gervais alone, separating from them, went into a neighbouring street to offer his services, during the fair time, to a farrier engaged in shoeing the horses of the visitors.
A far different spectacle from any with which Martin could amuse them, awaited the curious on the other side of the green. An enormous mastiff had just been unharnessed from a little cart, upon which he had brought the theatre and company of the Marionettes; and now, lying down in front of the tent and at the feet of his master, he seemed to take under his protection those things which had thus far travelled under his conveyance. Medor's appearance was that of a useful and well-treated servant; his looks towards his master those of a confiding friend. Va-bon-train (this was the name of the owner of the Marionettes) might easily be recognized for an old soldier. The regularity of his movements added greatly to the effect of their vivacity; everything happened in its proper turn, and at its proper time. His utterance was precise without being abrupt, and the tone of military firmness which he associated with the tricks of his trade, gave to them a certain degree of dignity. Words taken from the languages of the different countries through which he had travelled were mingled, with wonderful gravity and readiness, in the dialogue of the personages whom he put in action; and scenes in which he had been personally concerned, either as actor or witness, fired his imagination, and furnished incidents which enabled him to vary his representations to an unlimited extent. He was assisted by his son Michael, a fine lad about the age of Gervais, whom he very much resembled, although the countenance of the one was as serious as that of the other was cheerful and animated.