The hills are full of prophecies
And ancient voices of the dead;
Of hidden shapes that no man sees,
Pale, visionary presences,
That speak the things no tongue hath said,
No mind hath thought, no eye hath read.

The streams are full of oracles,
And momentary whisperings;
An immaterial beauty swells
Its breezy silver o'er the shells
With wordless speech that sings and sings
The message of diviner things.

No indeterminable thought is theirs,
The stars', the sunsets' and the flowers';
Whose inexpressible speech declares
Th' immortal Beautiful, who shares
This mortal riddle which is ours,
Beyond the forward-flying hours.

II

It holds and beckons in the streams;
It lures and touches us in all
The flowers of the golden fall—
The mystic essence of our dreams:
A nymph blows bubbling music where
Faint water ripples down the rocks;
A faun goes dancing hoiden locks,
And piping a Pandean air,
Through trees the instant wind shakes bare.

Our dreams are never otherwise
Than real when they hold us so;
We in some future life shall know
Them parts of it and recognize
Them as ideal substance, whence
The actual is—(as flowers and trees,
From color sources no one sees,
Draw dyes, the substance of a sense)—
Material with intelligence.

III

What intimations made them wise,
The mournful pine, the pleasant beech?
What strange and esoteric speech?—
(Communicated from the skies
In runic whispers)—that invokes
The boles that sleep within the seeds,
And out of narrow darkness leads
The vast assemblies of the oaks.

Within his knowledge, what one reads
The poems written by the flowers?
The sermons, past all speech of ours,
Preached by the gospel of the weeds?—
O eloquence of coloring!
O thoughts of syllabled perfume!
O beauty uttered into bloom!
Teach me your language! let me sing!

IV