DESPONDENCY.
Not all the bravery that day puts on
Of gold and azure, ardent or austere,
Shall ease my soul of sorrow; grown more dear
Than all the joy that heavenly hope may don.
Far up the skies the rumor of the dawn
May run, and eve like some wild torch appear;
These shall not change the darkness, gathered here,
Of thought, that rusts like an old sword undrawn.
Oh, for a place deep-sunken from the sun!
A wildwood cave of primitive rocks and moss!
Where Sleep and Silence—breast to married breast—
Lie with their child, night-eyed Oblivion;
Where, freed from all the trouble of my cross,
I might forget, I might forget, and rest!
DESPAIR.
Shut in with phantoms of life's hollow hopes,
And shadows of old sins satiety slew,
And the young ghosts of the dead dreams love knew,
Out of the day into the night she gropes.
Behind her, high the silvered summit slopes
Of strength and faith, she will not turn to view;
But towards the cave of weakness, harsh of hue,
She goes, where all the dropsied horror ropes.
There is a voice of waters in her ears,
And on her brow a wind that never dies:
One is the anguish of desired tears;
One is the sorrow of unuttered sighs;
And, burdened with the immemorial years,
Downward she goes with never lifted eyes.
SIN.
There is a legend of an old Hartz tower
That tells of one, a noble, who had sold
His soul unto the Fiend; who grew not old
On this condition: That the demon's power
Cease every midnight for a single hour,
And in that hour his body should be cold,
His limbs grow shriveled, and his face, behold!
Become a death's-head in the taper's glower.—
So unto Sin Life gives his best. Her arts
Make all his outward seeming beautiful
Before the world; but in his heart of hearts
Abides an hour when her strength is null;
When he shall feel the death through all his parts
Strike, and his countenance become a skull.