It is surprising that Gilbert and the official Liberal Press so long tolerated one another. The Daily News and other papers owned by Mr. Cadbury (of Cadbury's Cocoa) were often referred to as "the Cocoa Press" and it happened that it was not in the end political disagreement alone that brought the Chesterton-Cadbury alliance to an end. In one of Gilbert's poems in praise of wine are the lines:

Cocoa is a cad and coward,
Cocoa is a vulgar beast.

In the Autobiography he tells us that after he had published the poem he felt he could write no longer for the Daily News. He went from the Daily News to the Daily Herald, to the Editor of which he wrote that the News "had come to stand for almost everything I disagree with; and I thought I had better resign before the next great measure of social reform made it illegal to go on strike." G.K. was a considerable asset to any paper and had recently been referred to by Shaw (in a debate with Belloc) as "a flourishing property of Mr. Cadbury's."

Politically the break was bound to come, for even when Dickens was published Gilbert Chesterton had reached the stage of saying "as much as ever I did, more than ever I did, I believe in Liberalism. But there was a rosy time of innocence when I believed in Liberals." At this time too he infuriated an orthodox Liberal journalist by saying of the party leaders "some of them are very nice old gentlemen, some of them are very nasty old gentlemen, and some of them are old without being gentlemen at all." An orthodox church journalist in a periodical charmingly entitled Church Bells got angrier yet. "A certain Mr. G. K. Chesterton," he wrote, had, when speaking for the C.S.U. in St. Paul's Chapter House, remarked "the best of his Majesty's Ministers are agnostics, and the worst devil worshippers." Church Bells cries out: "We only mention this vulgar falsehood because we regret that an association, with which the names of many of our respected ecclesiastics are connected, should have allowed the bad taste and want of all gentlemanly feeling displayed by the words quoted, to have passed unchallenged." "Vulgar falsehood" is surely charming.

But perhaps even deeper than his disillusionment with any Party was his growing sense of the unreality of the political scene. He has described it in the Autobiography:

I was finding it difficult to believe in politics; because the reality seemed almost unreal, as compared with the reputation or the report. I could give twenty instances to indicate what I mean, but they would be no more than indications, because the doubt itself was doubtful. I remember going to a great Liberal club, and walking about in a large crowded room, somewhere at the end of which a bald gentleman with a beard was reading something from a manuscript in a low voice. It was hardly unreasonable that we did not listen to him, because we could not in any case have heard; but I think a very large number of us did not even see him . . . it is possible, though not certain, that one or other of us asked carelessly what was supposed to be happening in the other corner of the large hall. . . . Next morning I saw across the front of my Liberal paper in gigantic headlines the phrase: "Lord Spencer Unfurls the Banner." Under this were other remarks, also in large letters, about how he had blown the trumpet for Free Trade and how the blast would ring through England and rally all the Free-Traders. It did appear, on careful examination, that the inaudible remarks which the old gentleman had read from the manuscript were concerned with economic arguments for Free Trade; and very excellent arguments too, for all I know. But the contrast between what that orator was to the people who heard him, and what he was to the thousands of newspaper-readers who did not hear him, was so huge a hiatus and disproportion that I do not think I ever quite got over it. I knew henceforward what was meant, or what might be meant, by a Scene in the House, or a Challenge from the Platform, or any of those sensational events which take place in the newspapers and nowhere else.*

[* Pp. 201-2.]

As in Orthodoxy Chesterton had formulated his religious beliefs, so in What's Wrong with the World he laid the foundations of his sociology. It will be remembered that, giving evidence before the Commission on the Censorship, Chesterton declared himself to be concerned only with the good and happiness of the English people. Where he differed from nearly every other social reformer was that he believed that they should themselves decide what was for their own good and happiness.

"The body of ideas," says Monsignor Knox of Gilbert's sociology, "which he labelled, rather carelessly, 'distributism' is a body of ideas which still lasts, and I think will last, but it is not exactly a doctrine, or a philosophy; it is simply Chesterton's reaction to life."*

[* The Listener, June 19, 1941.]