To those writers with whom he had any common spiritual bond, he always behaved with great care and attention. He never missed an occasion to tell them any news which he knew would be pleasing or useful.

“Dear N.,” he wrote to a certain friend of mine,—“I hereby inform you that your story was read by L. N. Tolstoy and he liked it very much. Be so good as to send him your book at this address; Koreiz, Tauric Province, and on the title page underline the stories which you consider best, so that he should begin with them. Or send the book to me and I will hand it to him.”

To the writer of these lines he also once showed a delightful kindness, communicating by letter that, “in the ‘Dictionary of the Russian Language,’ published by the Academy of Sciences, in the sixth number of the second volume, which number I received to-day, you too appeared at last.”

All these of course are details, but in them is apparent much sympathy and concern, so that now, when this great artist and remarkable man is no longer among us, his letters acquire the significance of a far-away, irrevocable caress.

“Write, write as much as possible”—he would say to young novelists. “It does not matter if it does not come off. Later on it will come off. The chief thing is, do not waste your youth and elasticity. It's now the time for working. See, you write superbly, but your vocabulary is small. You must acquire words and turns of speech, and for this you must write every day.”

And he himself worked untiringly on himself, enriching his charming, varied vocabulary from every source: from conversations, dictionaries, catalogues, from learned works, from sacred writings. The store of words which that silent man had was extraordinary.

—“Listen, travel third class as often as possible”—he advised—“I am sorry that illness prevents me from traveling third. There you will sometimes hear remarkably interesting things.”

He also wondered at those authors who for years on end see nothing but the next door house from the windows of their Petersburg flats. And often he said with a shade of impatience:

—“I cannot understand why you—young, healthy, and free—don't go, for instance, to Australia (Australia for some reason was his favorite part of the world), or to Siberia. As soon as I am better, I shall certainly go to Siberia. I was there when I went to Saghalien. You cannot imagine, my dear fellow, what a wonderful country it is. It is quite different. You know, I am convinced Siberia will some day sever herself completely from Russia, just as America severed herself from her motherland. You must, must go there without fail….”

“Why don't you write a play?”—he would sometimes ask. “Do write one, really. Every writer must write at least four plays.”