She tried to close her eyes, but those eyes, which were in circumference like a three copeck piece, would not close, and her face wrinkled and assumed an unpleasant expression.
She could not dance either, and did nothing but move her enormous body from side to side, noiselessly transferring it from place to place. In her left hand was a handkerchief which she waved languidly; her right was placed on her hip. This gave her the appearance of a large pitcher.
And Jikharev moved round this massive woman with so many different changes of expression that he seemed to be ten different men dancing, instead of one. One was quiet and humble, another proud and terrifying; in the third movement he was afraid, sighing gently, as if he desired to slip away unnoticed from the large, unpleasant woman. But still another person appeared, gnashing his teeth and writhing convulsively like a wounded dog. This sad, ugly dance reminded me of the soldiers, the laundresses, and the cooks, and their vile behavior.
Sitanov's quiet words stuck in my memory:
"In these affairs every one lies; that's part of the business. Every one is ashamed; no one loves any one—but it is simply an amusement."
I did not wish to believe that "every one lied in these affairs." How about Queen Margot, then? And of course Jikharev was not lying. And I knew that Sitanov had loved a "street" girl, and she had deceived him. He had not beaten her for it, as his comrades advised him to do, but had been kind to her.
The large woman went on rocking, smiling like a corpse, waving her handkerchief. Jikharev jumped convulsively about her, and I looked on and thought: "Could Eve, who was able to deceive God, have been anything like this horse?" I was seized by a feeling of dislike for her.
The faceless images looked from the dark walls; the dark night pressed against the window-panes. The lamps burned dimly in the stuffy workshop; if one listened, one could hear above the heavy trampling and the din of voices the quick dropping of water from the copper wash-basin into the tub.
How unlike this was to the life I read of in books! It was painfully unlike it. At length they all grew weary of this, and Kapendiukhin put the harmonica into Salautin's hands, and cried:
"Go on! Fire away!"