Round her spare shoulders is a long, broad, gold-coloured scarf edged with lace, which looks almost like a mantle. The grey hair of her little head, which is too small for her size, is covered with black lace. In one hand she carries a long-handled red sunshade, in the other a black velvet bag embroidered in silver. She walks as firmly as a soldier through the web of sunbeams, tapping the noisy pavement with the end of her sunshade.
Her profile is the very picture of sternness: her nose is aquiline and on the end of her sharp chin grows a large grey wart; her rounded forehead projects over dark hollows where, in a network of wrinkles, her eyes are hidden. They are hidden so deep that the woman appears almost blind.
On the steps behind her, swaying from side to side like a duck, appears noiselessly the square body of a hunchback with a large, heavy, forward-hanging head, covered with a grey soft hat. His hands are in the pockets of his waistcoat, which makes him look broader and more angular still. He wears a white suit and white boots with soft soles. His weak mouth is half open, disclosing prominent, yellow and uneven teeth. The dark moustache which grows on his upper lip is unsightly, for the bristles are sparse and wiry. He breathes quickly and heavily. His nostrils quiver but the moustache does not move. He moves his short legs jerkily as he walks. His large eyes gaze languidly, as if tired, at the ground; and on his small body are displayed many large things: a large gold ring with a cameo on the first finger of his left hand, a large golden charm with two rubies at the end of a black ribbon fob, and a large—a too large—opal, an unlucky stone, in his blue necktie.
A third figure follows them leisurely along the terrace. It is that of another old woman, small and round, with a kind red face and quick eyes: she is, one may guess, of an amiable and talkative disposition.
They walk across the terrace through the hotel doorway, looking like people out of a picture of Hogarth's—sad, ugly, grotesque, unlike anything else under the sun. Everything seems to grow dark and dim in their presence.
They are Dutch people, brother and sister, the children of a diamond merchant and banker. Their life has been full of strange events if one may believe what is lightly said of them.
As a child, the hunchback was quiet, self-contained, always musing, and not fond of toys. This attracted no special attention from anybody except his sister. His father and mother thought that was how a deformed boy should be; but in the girl, who was four years older than her brother, his character aroused a feeling of anxiety.
Almost every day she was with him, trying in all possible ways to awaken in him some animation. To make him laugh she would push toys towards him. He piled them one on top of another, building a sort of pyramid. Only very rarely did he reward her efforts with a forced smile; as a rule he looked at his sister, as at everything else, with a forlorn look in his large eyes which seemed to suffer from some strange kind of blindness. This look chilled her ardour and irritated her.
"Don't dare to look at me like that! You will grow up an idiot!" she shouted, stamping her foot. And she would pinch him and beat him. He whimpered and put up his long arms to guard his head, but he never ran away from her and never complained.
Later on, when she thought that he could understand what had become quite clear to her she kept saying to him: