The front gates were ajar. One side, torn from its hinges, lay on the ground, and from the cracks between the boards sprang grass, which also covered the great desolate yard. At the farther end of this yard stood a low, smoke-blackened shed with an iron roof. The house itself was uninhabited, but in this mean shed, which had been a forge, was installed a common lodging-house or doss-house, kept by a retired cavalry officer, Aristide Fomitch Kouvalda.
Inside, this doss-house appeared as a long, dark den, lighted by four square windows and a wide door. The brick unplastered walls were dark with smoke, which had also blackened the ceiling. In the middle stood a large stove, round which, and along the walls, were ranged wooden bunks containing bundles of rubbish which served the dossers for beds. The walls reeked with smoke, the earthen floor with damp, and the bunks with sweat and rotten rags.
The master's bunk was on the stove, and those in its immediate neighbourhood were looked upon as places of honour, and were granted to the inmates who rejoiced in his favour and friendship. The master spent the greater part of the day seated at the door of the shed in a sort of arm-chair, which he had himself constructed of bricks, or else in the beerhouse of Jegor Vaviloff, just across the way, where Aristide dined and drank vodka.
Before starting the lodging-house, Aristide Kouvalda used to keep a servants' registry office in the town; and glancing farther back into his life, we should find he had had a printing establishment; and before the printing business, according to his own account, he lived—and "lived, devil take it, well; lived as a connoisseur, I can assure you!"
He was a broad-shouldered man of about fifty, with a pock-marked face, bloated with drink, and a bushy, yellow beard. His eyes were grey, large, audaciously gay; he spoke with a bass voice, and almost always held between his teeth a German china pipe with a curved stem. When he was angry the nostrils of his red crooked nose would dilate wide, and his lips would quiver, showing two rows of large yellow teeth like those of a wolf. Long-handed and bow-legged, he dressed always in an old dirty military overcoat and a greasy cap with a red band, but without a peak; and in worn felt boots reaching to his knees. In the morning he was always in a state of drunken stupor, and in the evening he became lively. Drunk he never could be; for however much liquor he stowed away, he never lost his gay humour.
In the evening he might be seen seated in his brick arm-chair, his pipe between his teeth, receiving his lodgers.
"Who are you?" he would ask, on the approach of some ragged, depressed-looking individual, who had been turned out of the town for drunkenness or for some other reason.
The man would reply.
"Show me your papers, to prove that you are not lying!"
The papers were shown, if there were any forthcoming. The master would push them into his shirt, not caring to look at their contents.