Everything the blacksmith said was wearisome and difficult to listen to. He seemed to have grown duller. He looked guilty, and Yevsey felt awkward and ashamed for him in the presence of his master. When he got ready to go, Yevsey quietly thrust three rubles into his hand, and saw him out with pleasure.
Though Yevsey endeavored as before to please his master in every way, he became afraid to agree with him. The bookshop after a time aroused a dim suspicion by its resemblance to a tomb tightly packed with dead books. They were all loose, chewed up, and sucked out, and emanated a mouldy, putrid odor. Few were sold; which did not surprise Yevsey. What stirred his curiosity was the attitude of the master to the purchasers and the books.
The old man would take a book in his hand, carefully turn over its musty pages, stroke the covers with his dark fingers, smile quietly, and nod his head. He seemed to fondle the book as though it were alive, to play with it as with a kitten or a puppy. While reading a book he carried on with it a quiet, querulous conversation, like Uncle Piotr with the furnace-fire. His lips moved in good-humored derision, his head kept nodding, and now and then he mumbled and laughed.
"So, so—yes—hmm—see—what's that? Ha, ha! Ah, the impudence—I understand, I understand—it'll never come about—no-o-o—ha, ha!"
These strange exclamations coming from the old man as if he were disputing with somebody both astonished and frightened Yevsey, and pointed to the secret duplicity in his master's life.
"You don't read books," said the master to him once. "That's good. Books are always lechery, the child of a prostituted mind. They deal with everything, they excite the imagination, and create useless agitation and disturbance. Formerly we used to have good historical books, stories of quiet people about the past. But now every book wants to inspire you with hostility to life and to lay bare man, who ought always to be covered up both in the flesh and in the spirit in order to defend him from the devil, from curiosity, and from the imagination, which destroys faith. It's only in old age that books do no harm to a man, when he is guarded against their violence by his experience."
Though Yevsey did not understand these talks he remembered them well, and though they met with no response in him, they confirmed his sense of mystery—the mystery that invested all human life, as it were, in a hostile envelope.
When he sold a book, the old man regarded it with regret, and fairly smelled the purchaser, with whom he talked in an extremely loud and rapid voice. Sometimes, however, he lowered his voice to a whisper, when his dark glasses would fix themselves upon the face of the customer. Often on seeing to the door a student who had bought a book, he followed him with a smile, and nodded his head queerly. Once he shook his finger at the back of a man who had just left, a short, handsome fellow with fine black tendrils on a pale face. The largest number of customers were students and people having a certain resemblance to them. Sometimes old men came. These rummaged long among the books, and haggled sharply over the prices.
An almost daily visitor was a man who wore a chimney-pot and on his right hand a large gold ring set with a stone. He had a broad pimply nose on a stout flat shaven face. When Dorimedont Lukin played chess with the master, he snuffled loud and tugged at his ear with his left hand. He often brought books and paper parcels, over which the master nodded his head approvingly and smiled quietly. He would then hide them in the table, or in a corner on a shelf in back of him. Yevsey did not see his master pay for these books, but he did see him sell them.
One of the students began to visit the shop more frequently than the others. He was a tall, blue-eyed young man with a carrot-colored mustache and a cap stuck back on his neck, leaving bare a large white forehead. He spoke in a thick voice, laughed aloud, and always bought many old journals.