Yevsey wiped his nose on his shirtsleeve.
"I'm afraid of them."
"It would be better for you not to talk of such things," the uncle advised gravely. "You are a little boy. You should play out in the open air, and store up health. If you want to live you must be a healthy man. If you are not strong, you can't work. Then you can't live at all. That's all we know, and what God needs is unknown to us." He grew silent, and meditated without removing his eyes from the fire. After a time he continued in a serious tone, speaking choppily: "On the one hand I know nothing, on the other hand I don't understand. They say all wisdom comes from Him. Yet it's evident that the thicker one's candle before God the more wolfish the heart." He looked around the shop, and his eyes fell on the boy in the corner. "Why are you squeezing yourself into that crack? I told you to go out and play." As Yevsey crept out timidly, the smith added, "A spark will fall into your eye, and then you'll be one-eyed. Who wants a one-eyed fellow?"
His mother had told Yevsey several stories on winter nights when the snowstorm knocking against the walls of the hut ran along the roof, touched everything as if groping for something in anguish, crept down the chimney, and whined there mournfully in different keys. The mother recited the tales quietly, drowsily. Her speech sometimes grew confused; often she repeated the same words several times. It seemed to the boy she saw everything about which she spoke, but obscurely, as in the dark.
The neighbors reminded Yevsey of his mother's tales. The blacksmith, too, it seemed, saw in the furnace-fire both devils and God, and all the terrors of human life. That was why he continually wept. While Yevsey listened to his talk, which set his heart aquiver with a dreadful tremor of expectation, the hope insensibly formulated itself that some day he would see something remarkable, not resembling the life in the village, the drunken muzhiks, the cantankerous women, the boisterous children—something quite different, without noise and confusion, without malice and quarreling, something lovable and serious, like the church service.
One of the neighbors was a blind girl, with whom Yevsey became intimate. He took her to walk in the village; carefully helped her down the ravine, and spoke to her in a low voice, opening wide his watery eyes in fear. This friendship did not escape the notice of the villagers, all of whom it pleased. But once the mother of the blind girl came to Uncle Piotr with a complaint. She declared Yevsey had frightened Tanya with his talk, and now she could not leave her daughter alone, because the girl cried and slept poorly, had disturbed dreams, and started out of her sleep screaming. What Yevsey had said to her it was impossible to make out. She kept babbling about devils, about the sky being black and having holes in it, about fires visible through the holes, and about devils who made sport in there, and teased people. What does it mean? How can anyone tell a little girl such stuff?
"Come here," said Uncle Piotr to his nephew.
When Yevsey quietly left his corner, the smith put his rough heavy hand on his head and asked:
"Did you tell her all that?"
"I did."