A fleeting blush passed over Pashka's face and he screwed up his eyes as if the smoke had got into the room.
"I shall make a long poem," he boasted. "It's not so very difficult. You go out and look about you—stream, dream, tree, free—the rhymes come up by themselves."
"And what will you do now?" asked Ilya.
Pashka let his glance wander round; there was a pause, then he said, slowly and vaguely, "oh, something or other," then added decidedly, "If I don't like it, I'll run away again."
For the time being, however, he lived with the cobbler, and every evening the children gathered there. It was quieter and more cosy in the cellar than in Terenti's room. Perfishka was seldom at home. He had sold for drink all that could be sold, and now worked by the day in various workshops, and if there was no work to be got, he sat in the bar-room. He went about half-clothed and barefoot, and his beloved old harmonica was always under his arm. It had come to be almost a part of his body, it had absorbed a portion of his cheerful disposition. The two were very much alike, out at elbows and worn, but full of jolly songs and tunes. In all the workshops of the town, Perfishka was known as a tireless singer of gay rollicking rhymes and dance tunes. Wherever he appeared he was a welcome guest, and all liked him because he could lighten the heavy weary load of existence, with his drolleries tales and anecdotes.
Whenever he earned a couple of kopecks, he gave his daughter the half. His only care now was for her. For the rest, Masha was mistress of her own fate. She had grown tall, her black hair fell below her shoulders, her big dark eyes looked out on the world seriously, and she played the hostess in the underground room most excellently. She collected shavings from the places where new building was in progress, and tried to cook the soup with them, and up to midday went about with her skirts tucked up, quite black, and wet, and busy. But once her meal was prepared, then she cleaned up the room, washed, put on a clean dress, and settled herself at the table before the window to mend her clothes. While she cobbled away with her needle at the rags, she would sing a gay song, and in her liveliness and activity, she was like a titmouse in a cage.
Matiza would often pay her a visit, and bring her rolls of bread, tea, and sugar, and once even gave her a blue dress. Masha received the visit quite like a grown-up person, a proper housewife. She would put the little samovar on the table and serve Matiza with tea, and while they enjoyed the hot stimulating drink, they would chat of the events of the day and Perfishka's conduct. Matiza used to get quite carried away with anger over the cobbler, while Masha, in her clear little voice, would not dispute, out of politeness to her guest, but still would speak of Perfishka without a trace of resentment. In everything that she said of her father, a resolute forbearance was always present.
"Quite true," she would say, in an old-fashioned way, "it is not reasonable for a man to drink so. But he loves gaiety, and only drinks to cheer himself up. While mother was alive, he did not drink much."
"Serve him right, if his liver dries up," grumbled Matiza, in her deep bass, contracting her eyebrows fiercely. "Does the soaker forget he has a child sitting at home? Disgusting brute! He'll die like a dog!"
"He knows that I'm grown up, and can look after myself," answered Masha.