"In those stone houses."
Here the woman drops her sewing a second time to inquire: "Is there a convent there?"
"A convent?"
And the young fellow pauses uncouthly to scratch his neck. Only after a while does he answer:
"A convent? Well, I do not know, for only once, to tell the truth, have I been in the town, and that was when some of us famine folk were set to a job of roadmaking."
"Well, well!" gasps Konev, as he rises and takes his departure.
The vagabonds, huddled against the churchyard wall, look like litter driven thither by the steppe wind, and as liable to be whirled away again whenever the wind shall choose. Three of the party are sleeping, and the remainder either mending their clothing, or killing fleas, or lethargically munching bread collected at the windows of the Cossacks' huts. I find the sight of them weary me as much as does the young fellows fatuous babble. Also, I find that whenever the elder of the two women lifts her eyes from her work, and half smiles, the faint half-smile in question vexes me intensely. Consequently, I end by departing in Konev's wake.
Guarding the entrance of the churchyard, four poplar trees stand erect, save when, as the wind harries them, they bow alternately to the arid, dusty earth and towards the dim vista of tow-coloured steppe and snowcapped mountain peaks. Yet, oh how that steppe, bathed in golden sunshine, draws one to itself and its smooth desolation of sweet, dry grasses as the parched, fragrant expanse rustles under the soughing wind!
"You ask about that woman, eh?" queries Konev, whom I find leaning against one of the poplar trunks, and embracing it with an arm.
"Yes. From where does she hail?"