AUSTRIA-HUNGARY
BUDA-PESTH, ACADEMY. Portrait of an Old Man with a white beard. S. 1640. P. 28⅖ × 21⅘. [No. 235.] Repose of the Holy Family. 1655. COLLECTION OF COUNT J. ANDRASSY. Portrait of Himself. S. 1630. P. 19⅗ × 15⅕. COLLECTION OF MR GEORGE VON RATH. Mountain Landscape. S. 1638. P. 22 × 28⅗. Slaughtered Ox. S. 1639. P. 21⅕ × 17⅕. Portrait of a Woman. S. 1660. P. 29⅖ × 20⅖. CRACOW, CZARTORYSKI MUSEUM. Landscape. S. 1638. P. 17¾ × 25¼. INNSBRUCK, FERDINANDEUM. Head of an Old Man. S. 1630. P. 8⅘ × 6⅘. PRAGUE. COUNT NOSTITZ. An Old Man. S. 1634. C. 58 × 54. [No. 269.] TARNOWITZ, GALICIA. COUNT TARNOWSKI. Polish Horseman. 1655. C. 46 × 53⅖. VIENNA, ACADEMY. Portrait of a Young Woman. S. 1632. C. 39⅕ × 28⅘. COUNT KÖNIGSWARTER. Portrait of Rembrandt. S. 1640. C. 23 × 17½. PRINCE LIECHTENSTEIN. Portrait of Saskia. S. 1632. P. 23⅗ × 17⅗. Young Girl at her Toilet, called the Jewish fiancée. S. 1632. C. 43⅕ × 37⅕. Portrait of Rembrandt. S. 1635. C. 36⅘ × 28⅘. Portrait of a Man. S. 1636. Portrait of a Woman. Companion to above. S. 1636. PRINCE LUBOMIRSKI. Study of Rembrandt with his Mouth open. 1629. P. 17⅗ × 13⅕. FRANZ XAVIER MEYER. A Philosopher reading by Candlelight. 1627. Copper, 5⅗ × 5⅗. A very doubtful picture. IMPERIAL MUSEUM. Portrait of a Man. 1630. P. 36⅖ × 28. [No. 1139.] Portrait of a Woman. P. 36⅖ × 28. [No. 1140.] St Paul. 1636. C. 50⅖ × 44. Portrait of Rembrandt's Mother. S. 1639. P. 32 × 24⅘. [No. 1141.] Portrait of Himself. 1658. C. 45⅕ × 32⅖. [No. 1142.] Young Man Singing. 1658. C. 28⅖ × 28⅘. [No. 1144.] Portrait of Himself. S. 1668. P. 20 × 16⅖. [No. 1143.] COUNT SCHÖNBORN-BUCHHEIM. Samson captured by the Philistines. S. 1636. C. 95⅕ × 114⅘. A. STRASSER. Study of an Angel. 1655. P. 10⅖ × 9⅖.
BELGIUM
ANTWERP, MUSEUM. Portrait of Henry Swalm, known as "Portrait of a Burgomaster." S. 1637. C. 55⅗ × 43⅗. [No. 705.] The Young Fisher. S. 1659. P. 9⅓ × 7⅕ [No. 294.] Saskia. C. 44⅘ × 33⅗. [No. 293.] Portrait of an Old Jew. P. 9⅓ × 7⅗. [No. 295.] BRUSSELS, DUC D'ARENBERG. Tobias curing his Father's Blindness. S. 163—. P. 19⅕ × 15⅗. COUNT MERODE-WESTERLOO. St Peter repenting in Prison. S. 1631. P. 23⅖ × 19⅕. MUSEUM. Portrait of a Man. S. 1641. C. 42 × 33⅕. [No. 397.] Portrait of an Old Woman. S. 1654. P. 27⅗ × 28. [No. 397a.]
BRITISH ISLES
LONDON. NATIONAL GALLERY. Portrait of an Old Woman. S. 1634. P. 27 × 21. [No. 775.] Portrait of a Man. S. 1635. C. 30⅛ × 22½. [No. 850.] Ecce Homo. Grisaille. 1636. C. 21⅜ × 17¾. [No. 1400.] Portrait of Rembrandt. S. 1640. C. 39 × 31½. [No. 672.] The Woman taken in Adultery. S. 1644. P. 32½ × 25½. [No. 45.] Adoration of the Shepherds. S. 1646. C. 25 × 22. [No. 47.] A Woman Bathing. S. 1654. P. 24 × 18¼. [No. 54.] Portrait of a Rabbi. S. 1657(?). C. 30 × 26. [No. 190.] Portrait of an Old Man. S. 1659. C. 39 × 32¾. [No. 243.] Portrait of a Monk. 1660. C. 34½ × 25½. [No. 166.] Portrait of Rembrandt. 1664. C. 33 × 27½. [No. 221.] Portrait of a Woman. S. 1666. C. 26¼ × 23¼. [No. 237.] Portrait of a Jew Merchant. C. 53 × 41. [No. 51.] Landscape. P. 22 × 34. [No. 72.] Christ taken down from the Cross. P. 13 × 11. [No. 43.] Portrait of a Burgomaster. C. 50½ × 38. [No. 1674.] Portrait of an Old Lady. C. 50½ × 38. [No. 1675.] HERTFORD HOUSE COLLECTION. Portrait of Burgomaster Pellicorne and his Son Caspar. S. 1632. C. 61 × 48. Suzanna van Collen, Wife of Pellicorne, and her Daughter. S. 1632. C. 61 × 48¼. The Good Samaritan. 1632. P. 9¾ × 8. Portrait of a Boy. S. 1633. Copper, 8 × 6¾. Portrait of Himself. S. 1633-1635. P. 26 × 20. Portrait of a Young Negro, known as the Black Archer. Oval. 1640. P. 26 × 20. Landscape. 1640. P. 18 × 25. Portrait of Himself. S. 1640. P. 25 × 19¼. Portrait of Himself. 1660. 8½ × 6. Portrait of Titus. 1658. C. 26½ × 22. The Unmerciful Servant. 1664. C. 70½ × 86¼. BUCKINGHAM PALACE. The Shipbuilder and his Wife. S. 1633. C. 44 × 65. [No. 16.] The Burgomaster Pancras and his Wife. Called Rembrandt and Saskia. S. 1635. C. 60 × 77. [No. 30.] Christ and Mary Magdalene at the Tomb. S. 1638. P. 23½ × 19½. [No. 41.] Portrait of a Lady. S. 1641. C. 41 × 33. [No. 162.] Portrait of Rembrandt. S. 164—. P. 27 × 23. [No. 174.] The Adoration of the Magi. S. 1657. P. 48 × 40½. [No. 154.] A Jewish Rabbi. C. 30 × 38⅞. [No. 131.] HAMPTON COURT. Portrait of a Rabbi. S. 1635. P. 28 × 24. [No. 381.] EDINBURGH. NATIONAL GALLERY. A Young Woman in Bed. S. 1650. P. 32 × 26½. DUBLIN. NATIONAL GALLERY. Portrait of a Young Man. Said to be Louis van der Linden. 1631. P. 27 × 21½. Shepherds reposing at Night. S. 1647. P. 13½ × 19. [No. 115.] Descent From the Cross. S. 1650. C. 70 × 77½. Lent by the Duke of Abercorn. Portrait of an Old Man. S. P. 24 × 18. [No. 48.] GLASGOW. CORPORATION GALLERIES. The Slaughter-house. S. 16—. P. 28 × 20. [No. 707.] Tobias and the Angel. 1654. P. 29½ × 26. [No. 705.] A Man in Armour. S. 1655. C. 53½ × 40½. [No. 706.] The Painter's Study. P. 20 × 24. [No. 709.] Jeremiah mourning over the Destruction of Jerusalem. C. 15½ × 12. [No. 714.] Study of an Old Man. P. 9 × 8. [No. 711.] Portrait of Rembrandt. P. 26 × 20. [No. 710.] HUNTERIAN MUSEUM. Entombment. 1634. P. 12⅘ × 16. CAMBRIDGE. FITZWILLIAM MUSEUM. Portrait of Rembrandt. S. 1650. C. 54 × 46⅖. [No. 152.] DULWICH COLLEGE. A Young Man. S. 1632. P. 11¼ × 9. [No. 189.] A Young Girl at a Window. S. 1645. C. 31 × 25. [No. 206.] WINDSOR CASTLE. A Young Man. S. 1631. P. 25 × 19. An Old Woman, known as the Countess of Desmond. 1631. P. 23½ × 18. ALTHORP PARK. THE EARL SPENCER, K.G. A Boy, formerly called a portrait of William III. P. 1660. C. 24½ × 21. Woman with Flowers. 1660. C. 38 × 35½. The Circumcision. P. 1661. C. 21½ × 28½. Rembrandt's Mother. C. 56 × 39. ASHRIDGE PARK. THE EARL BROWNLOW. Portrait of a Jew. S. 1632. P. 27 × 23. Portrait of a Man, said to be Peter Cornelius van Hooft, the poet. S. 1653. C. 55 × 52½. Isaac and Esau. P. 22½ × 27. Landscape. A very doubtful picture. P. 8 × 9½. Portrait of an Old Woman. C. 29½ × 24½. BASILDON PARK. CHARLES MORRISON. Portrait of a Young Woman, called Rembrandt's daughter. S. 1665. C. 39½ × 33. BELVOIR CASTLE. DUKE OF RUTLAND. A Young Man. S. 1660. C. 31 × 26½. BOWOOD. MARQUESS OF LANSDOWNE. The Mill. 1654. C. 34 × 40½. BRIGHTON. WILLIAM CHAMBERLIN. Portrait of a Man-at-Arms. S. P. 26 × 20. BROOM HALL, DUNFERMLINE. LORD ELGIN. Portrait of Saskia. S. 1633. P. 26 × 19⅕. CANFORD MANOR, WIMBORNE. LORD WIMBORNE. St Paul. S. 1658. Portrait of a Man. 1660. CASTLE HOWARD. THE EARL OF CARLISLE. Portrait of a Young Artist drawing. S. 164—. Life-size. 1648. CHATSWORTH. DUKE OF DEVONSHIRE, K.G. Portrait of a Rabbi. S. 1635. P. 40 × 31½. DOWNTON CASTLE. A. R. BOUGHTON KNIGHT. The Cradle. 1643-1645. P. 24 × 30½. Portrait of a Man, known as "Rembrandt's Cook." S. 1661. C. 34 × 29½. The Holy Family. P. 30 × 25. DRAYTON MANOR. SIR ROBERT PEEL. The Finding of Moses. 1635. C. oval, 18⅘ × 23⅗. DUNCOMBE PARK. THE EARL OF FEVERSHAM. A Merchant. S. 1659. C. 45 × 38. EDINBURGH. ARTHUR SANDERSON. His Mother in a Hood. 1630. P. 14⅖ × 12⅕. Portrait of an Old Woman. S. 1635. C. 51⅗ × 39⅗. RICHARD SAUNDERSON (in 1836). Abraham receiving the Angels. GLASGOW. WILLIAM BEATTIE. Study of Himself. 1629. P. 10⅕ × 8⅗. GOSFORD HOUSE. EARL OF WEMYSS AND MARCH. A Monk reading. S. 1660. C. 29 × 24. THE GRANGE, ALRESFORD. LORD ASHBURTON. Portrait of a Man. 1635. P. 30 × 25. Portrait of an Old Man. 1637. C. 48 × 37½. Portrait of Lieven Willemsz van Coppenol. About 1650. P. 14 × 11. Portrait of Rembrandt. About 1658. C. 30 × 25½. Portrait of a Man, said to be Cornelius Jansenius. P. 32 × 26. GRITTLETON. SIR A. D. NEELD, Bart. Portrait of Rembrandt. S. 1660. C. 23½ × 20. Portrait of a Burgomaster. S. P. 15 × 12. HINTON ST GEORGE. THE EARL POULETT. Portrait of a Boy. S. 1628. KEDDLESTON HALL. REV. LORD SCARSDALE. Portrait of an Old Man. S. 1645. C. 34 × 27. KNOWSLEY HALL. THE EARL OF DERBY, K.G. The Feast of Belshazzar. 1636. Doubtful Rembrandt. C. 65 × 81½. LONDON. W. C. ALEXANDER. Rembrandt's Mother. 1628. P. 8¾ × 6¾. The Painter's Sister. Doubtful. C. 27 × 20½. WENTWORTH B. BEAUMONT. The Tribute Money. S. 1645. C. 25 × 33½. ALFRED BEIT. St Francis Praying. S. 1637. P. 23⅕ × 18⅘. Portrait of a Young Man. 1660. C. 40 × 32½. R. B. BERENS. Portrait of the Painter. An early work. P. 24 × 18 BRIDGEWATER HOUSE. EARL OF ELLESMERE. A Young Woman, aged 18. S. 1634. P. 27½ × 21. A Young Woman. Oval. 1635. Portrait of a Burgomaster, or, a Minister. S. 1637. C. 52 × 38. Hannah hearing the Young Samuel repeat his Prayers. S. 1648. P. 16 × 18. Study of an Old Man. 1655. Portrait of Rembrandt. S. 165—. C. 26½ × 20¾. MONTAGUE HOUSE. DUKE OF BUCCLEUCH, K.G. Portrait of Saskia. S. 1633. C. 48½ × 38½. Portrait of an Old Woman. S. 1655. C. 31½ × 26. Portrait of Rembrandt. S. 1659. C. 31 × 25½. BARONESS BURDETT-COUTTS. A Forest Scene. P. 16 × 14. W. C. CARTWRIGHT. Dead Peacocks. S. 1640. C. 54 × 50½. THE EARL OF CRAWFORD, K.G. Portrait of Titus. S. 1655. C. 29½ × 24½. THE EARL OF DERBY, K.G. A Rabbi. S. 1635. P. 28 × 21. Joseph's Coat. 1647. C. 48 × 38. DEVONSHIRE HOUSE. THE DUKE OF DEVONSHIRE, K.G. An Old Man. S. 1651. C. 28½ × 25. An Old Man. S. 1652. C. 43 × 34. GEORGE C. W. FITZWILLIAM. Portrait of a Man. 1632. P. 22½ × 18½. F. FLEISCHMANN. Rembrandt's Father. S. 1631. P. 23 × 19½. ALEXANDER HENDERSON. Burgomaster Six. 1655. C. 36½ × 29. Portrait of his Wife, Margaretha, Daughter of Dr. Tulp. S. 1655. P. 36½ × 29. CAPTAIN HEYWOOD-LONSDALE. Portrait of Rembrandt. S. 1635 or 8. P. 25 × 20. DORCHESTER HOUSE. CAPTAIN G. L. HOLFORD. Martin Looten. S. 1632. P. 36 × 29½. A Man with a Sword. S. 1644. C. 39 × 34. Portrait of a Lady, incorrectly called the wife of Jan Sylvius. 1645. C. 49 × 40. Portrait of Titus. S. 1660. C. 29 × 24½. LORD FRANCIS PELHAM HOPE. (Collection sold in 1898.) A Lady and Gentleman. S. 1633. C. 51 × 42. The Ship of St Peter. S. 1635. C. 63 × 50. THE EARL OF HOPETOUN. Rembrandt's Mother. Oval. P. 27 × 21. R. W. HUDSON. An Old Man. S. 1635. P. 26⅘ × 21⅗. THE EARL OF ILCHESTER. Portrait of Rembrandt. S. 1658. C. 51½ × 40. VICTORIA AND ALBERT MUSEUM. Abraham dismissing Hagar and Ishmael. S. 1640. P. 15 × 20½. LORD IVEAGH. Portrait of a Woman. S. 1642. C. 42 × 36. Portrait of Rembrandt. 1663. C. 45 × 37½. MRS JOSEPH. Portrait of Saskia. S. 1636. P. 26 × 20½. LESSER (1893). Portrait of an Old Woman. S. 1635. C. COLONEL LINDSAY (1893). Portrait of a Very Old Woman. S. 1660. C. 30 × 25⅖. MRS ALFRED MORRISON. Portrait of Dr Bonus. S. 1642. C. 41 × 30. DUKE OF NEWCASTLE. Portrait of an Orator. C. 37½ × 29½. THE EARL OF NORTHBROOK. Landscape. 1640. P. 8½ × 11. Portrait of an Old Man. S. 1667. C. 27 × 22½. LORD PENRHYN. Portrait of Catrina Hoogh. S. 1657. C. 49½ × 38½. JAMES REISS Landscape. P. 11½ × 16. MRS OWEN ROE. Portrait of a Man. C. 40 × 33. LADY DE ROTHSCHILD. Portrait of Rembrandt. S. 1656. C. 35 × 28. EDWARD H. SCOTT. Rembrandt's Father's Mill. C. 32½ × 42. COLONEL STERLING. Portrait of a Man. C. 23 × 17. STEPHEN TUCKER. The Angel departing from Tobit. P. 25½ × 19½. SIR CHARLES TURNER. Portrait of a Girl. 1650. P. 8⅖ × 7⅕. LORD WANTAGE. Portrait of an Old Woman. S. 1661. C. 29½ × 25. T. HUMPHRY WARD. An Old Man. 1630 or 1658. C. 20 × 14¾. A Young Man. S. 1646. C. 28 × 23. The Dismissal of Hagar. P. 26 × 22½. GROSVENOR HOUSE. DUKE OF WESTMINSTER, K.G. The Salutation. [No. 33.] S. 1640. P. 22 × 18½. Portrait of a Gentleman with a Hawk. [No. 14.] S. 1643. C. 44 × 37½. A Lady with a Fan. [No. 15.] S. 1643. C. 44 × 37½. Portrait of Nicholas Berchem. [NO. 19.] S. 1647. Cedar panel, 28½ × 25½. Portrait of his Wife. [No. 20], the daughter of Jan Wils. S. 1647. Cedar panel, 28½ × 25. Portrait of Rembrandt. P. 15½ × 11½. Landscape. [No. 83.] P. 39 × 61. HENRY WILLETT. Portrait of a Man. P. 20 × 17. SIR MATTHEW WILSON. Portrait of a Lady. Oval. P. 27 × 21. THE EARL OF YARBOROUGH. Portrait of an Old Lady. 1637. P. 40½ × 35. NEW HALL, BODENHAM. ALFRED BUCKLEY. Sketch of a Man's Head. P. 9 × 7. PANSHANGER. THE EARL COWPER, K.G. Portrait of a Man. S. 1644. C. 44½ × 42. Portrait of Marshal Turenne. 1649. C. 113 × 94. Head of a Man. P. 12½ × 9½. PETWORTH. LORD LECONFIELD. Portrait of the Painter's Sister. S. 1631. P. 25 × 18½. Portrait of Rembrandt. S. 1632. Oval. P. 25 × 18½. Portrait of a Lady. S. 1635. C. 49 × 39½. Portrait of a Youth. S. 1666. C. 29 × 24. Girl with a Rosebud. S. P. 32 × 25. RICHMOND. THE EXECUTORS OF THE LATE SIR FRANCIS COOK. The Painter's Sister. S. 1632. Oval. P. 27 × 21. Portrait of Alotte Adriaans, Wife of Elias Van Trip. S. 1639. P. 25½ × 22. Tobit and His Wife. S. 1650. P. 16¼ × 21¼. Study of an Old Man. P. 13½ × 10½. The Prodigal Son. S. 1634. A very doubtful picture. C. 51 × 66. ROSSIE PRIORY, INCHTURE, PERTHSHIRE. LORD KINNAIRD. Portrait of a Young Woman. S. 1636. Portrait of Rembrandt. S. 1661. C. 36 × 30. WELBECK ABBEY, NOTTS. DUKE OF PORTLAND. Head of a Boy. S. 1634. P. 17 × 14. WILTON HOUSE. THE EARL OF PEMBROKE. An Old Woman Reading. S. 1631. C. 29 × 24. WOBURN ABBEY. DUKE OF BEDFORD. Portrait of an Old Man. 1632. Portrait of Rembrandt. 1635. C. 34½ × 30½. PRESENT OWNERS UNKNOWN. Portrait of a Saint. S. 1635. C. 43 × 38. Portrait of a Lady. P. 29½ × 23. Landscape. C. 14 × 18½.
DENMARK.
COPENHAGEN. NEW CARLSBERG GLYPTOTEK. Man Reading. 1645. C. 24½ × 28. COUNT MOLTKE. Portrait of an Old Woman. [NO. 32.] 1654. C. COPENHAGEN. MUSEUM. Christ at Emmaus. [No. 292.] S. 1648. C. 33½ × 42½. Portrait of a Young Man. [No. 273.] S. 1656. C. 29 × 25. Portrait of a Young Woman. [No. 274.] Companion to the last. S. 1656. C. 29 × 25.
FRANCE.
PARIS. THE LOUVRE. A Philosopher in Meditation. [No. 2540, Grand Gallery.] S. 1633. P. 11⅗ × 13⅕. A Philosopher in Meditation. [No. 2541, Grand Gallery.] 1633. P. 11⅕ × 9⅕. Portrait of Rembrandt. [No. 2552, Salle XV.] S. 1633. C. 23⅕ × 18. Portrait of Rembrandt. [No. 2553, Grand Gallery.] S. 1634. P. 27⅕ × 21⅕. The Angel Raphael leaving Tobit. [No. 2536, Grand Gallery.] S. 1637. P. 27⅕ × 20⅘. Portrait of Rembrandt. [No. 2554, Grand Gallery.] S. 1637. P. 32 × 24⅘. Portrait of an Old Man. [No. 2544, Grand Gallery.] S. 1638. Oval. P. 36 × 22⅖. The Carpenter's Home. [No. 2542, Salon Carré.] S. 1640. P. 16⅖ × 13⅗. A Woman Bathing. [No. 2550, Salle Lacaze.] 1647. P. 24⅘ × 19⅕. Christ at Emmaus. [No. 2539, Salon Carré.] S. 1648. P. 27⅕ × 26. The Good Samaritan. [No. 2537, Grand Gallery.] S. 1648. P. 45⅗ × 54. Portrait of a Man. [No. 2551, Salle Lacaze.] S. 1651. C. 33⅕ × 26⅖. Portrait of Hendrickje Stoffels. [No. 2547, Salon Carré.] P. about 1652. C. 28⅘ × 24. Bathsheba, or a Woman bathing. [No. 2549, Salle Lacaze.] S. 1654. C. 56⅘ × 56⅘. Portrait of a Man. [No. 2546, Grand Gallery.] 1655. P. 10⅖ × 7⅗. The Slaughter-house. [No. 2548, Grand Gallery.] S. 1655. P. 37⅗ × 27⅗. Portrait of a Young Man. [No. 2545, Salon Carré.] S. 1658. C. 29⅕ × 24⅖. Portrait of Rembrandt. [No. 2555, Salon Carré.] S. 1660. C. 44⅖ × 34. Saint Matthew. [No. 2538, Grand Gallery.] S. 1661. C. 38⅖ × 32⅖. Venus and Cupid. [No. 2543, Grand Gallery.] 1661. C. 44 × 35⅕. ÉPINAL. MUSEUM. Portrait of an Old Woman. [No. 101.] S. 1661. C. 45⅗ × 32. NANTES. MUSEUM. Portrait of Rembrandt's Father. [No. 522, attributed to van Vliet.] 1628. P. 7 × 5⅖. PARIS. MME. ANDRÉ-JACQUEMART. Christ at Emmaus. S. R.H. 1629. Paper on panel 15⅗ × 16⅘. Portrait of Lysbeth van Rijn. S. 1632. C. 26 × 20⅖. Portrait of Arnold Tholinx. S. 1656. C. 30⅖ × 25⅕. LÉON BONNAT. Petitioners To a Biblical King. 1633. P. 11⅖ × 10⅗. Jean Six at a Window. Very doubtful. P. 10 × 8. Figure of Susannah. Oval. 1647. P. 8⅘ × 7. Tasters in a Cellar. 1650. P. 19⅘ × 25⅕. Portrait of an Old Man. 1650. P. 22 × 17⅗. Portrait of a Rabbi. 1655. P. 87⁄25 × 939⁄50. Head of an Old Man. 1660. P. 10 × 8⅘. MARQUIS BONI DE CASTELLANE. Portrait of Nicholas Ruts. S. 1631. P. 46 × 34½. PRINCE DE CHALAIS. Portrait of a Man. LÉON GAUCHEZ. Lucretia. S. 1664. C. 46⅖ × 39⅕. LEOPOLD GOLDSCHMIDT. Portrait of a Woman. Called Rembrandt's cook. 1655. C. 29⅘ × 24⅗. HARJES. Old Man With a White Beard. C. 25⅕ × 23⅕. BARONESS HIRSCH-GEREUTH (THE LATE). Portrait of his Sister, or Saskia. Oval. S. 1633. P. 23 × 17⅗. MAURICE KANN. Head of Christ. 1660. C. 18⅗ × 14⅘. A Man in a Red Cloak. S. 1659. P. 15⅖ × 12⅖. Portrait of a Man. P. between 1666 and 1668. C. 36⅖ × 29⅘. RODOLPHE KANN. Head of Christ. 1652. P. 10⅖ × 8. Portrait of Titus. S. 1655. C. 31⅗ × 23⅗. Portrait of a Rabbi. 1655. P. 10 × 7⅘. Portrait of an Old Woman. S. 1657. P. 8⅘ × 7⅕. Old Woman cutting her Nails. S. 1658. C. 50⅖ × 40. Portrait of a Young Woman. 1668. C. 37⅕ × 29⅕. MME. LACROIX. Landscape, with Swans. 1645. C. 25⅗ × 17⅕. ALBERT LEHMANN. Zachariah receiving the Prophecy of the Birth of John the Baptist. S. 1632. P. 22⅖ × 19⅕. PAUL MATHEY. Head of an Old Man. P. 20 × 24. HENRY PEREIRE. Portrait of a Man. S. 1632. P. 24 × 18⅘. Portrait of Cornelia Pronck. Wife of the man. S. 1633. P. 24 × 18⅘. JULES PORGÈS. The Good Samaritan. S. 1639. C. 38⅕ × 50. Portrait of a Rabbi. S. 1642. P. 30 × 24⅖. An Old Woman meditating over a Book. 1649. C. 39⅕ × 31⅕. Portrait of Rembrandt's Brother. 1650. P. 22⅖ × 17⅕. Portrait of a Woman holding a Book. 1650. P. 22⅖ × 17⅕. COUNTESS EDMOND DE POURTALÈS. Portrait of a Young Man rising from a Chair. S. 1633. C. 50 × 40. BARON ALPHONSE DE ROTHSCHILD. Portrait of an Old Woman. S. 1632. P. 30⅗ × 23. BARON GUSTAVE DE ROTHSCHILD. Portrait of Martin Daey. S. 1634. C. 82⅘ × 52⅘. Portrait of Machteld van Doorn, Wife of Martin Daey. C. 82⅘ × 52⅘. The Standard-Bearer. S. 1636. C. 50 × 42. BARONESS NATHANIEL DE ROTHSCHILD. Portrait of a Boy. S. 1633. P. 17⅗ × 13⅕. BARON N. DE ROTHSCHILD. Portrait of Anthoni Copal. S. 1635. P. 33⅕ × 26⅘. DURAND RUEL. David playing before Saul. 1663. C. 52⅕ × 65⅗. BARON ARTHUR DE SCHICKLER. Judas with the Price of the Betrayal. 1629. C. 31⅗ × 41⅕. A. SCHLOSS. Portrait of Saskia. Oval. 1634. P. 26⅘ × 21. Old Man. S. 1643. P. 10 × 7⅗. HENRI SCHNEIDER. Hans Alenson. S. 1634. C. 71⅕ × 52⅘. The Wife of Alenson. S. 1634. C. 71⅕ × 52⅘. CHARLES SEDELMEYER. Pilate washing his Hands. 1656. C. 51⅕ × 72. CHARLES WALTNER. An Old Rabbi. 1654-56. C. 32⅘ × 26. E. WARNECK. Diana bathing. 1631. P. 7⅕ × 6⅘. Rembrandt laughing. S. 1633. P. 8⅕ × 7. Study of a Rabbi. 1650 To 1655. P. 8⅘ × 7⅖. Study of a Young Boy. 1654. P. 9⅕ × 7⅘. DR MELVIL WASSERMANN. Study of his Father. 1630. P. 11⅖ × 9⅕. Portrait of an Old Man. 1633. P. 10⅖ × 8⅖. ROUEN. M. DUTUIT. Portrait of Rembrandt. S. 1631. P. 32⅖ × 21⅗. TOURS. MUSEUM. Portrait of His Father. [No. 437.] A copy of the one in the Museum at Nantes. 1628. P. 6 × 4.