into “Down the Middle and up Again.” His enthusiasm in this dance, I remember, was so great that, one evening after some of our Tavistock House theatricals, when I was thoroughly worn out with fatigue, being selected by him as his partner, I caught the infection of his merriment, and my weariness vanished. As he himself says, in describing dear old “Fezziwig’s” Christmas party, we were “people who would dance and had no notion of walking.” His enjoyment of all our frolics was equally keen, and he writes to an American friend, à propos of one of our Christmas merry-makings: “Forster is out again; and if he don’t go in again after the manner in which we have been keeping Christmas, he must be very strong indeed. Such dinings, such conjurings, such blindman’s buffings, such theatre goings, such kissings out of old years and kissings in of new ones never took place in these parts before. To keep the Chuzzlewit going, and to do this little

book the Carol, in the odd times between two parts of it, was, as you may suppose, pretty tight work. But when it was done I broke out like a madman, and if you could have seen me at a children’s party at Macready’s the other night going down a country dance with Mrs. M. you would have thought I was a country gentleman of independent property residing on a tip-top farm, with the wind blowing straight in my face every day.”

At our holiday frolics he used sometimes to conjure for us, the equally “noble art” of the prestidigitateur being among his accomplishments. He writes of this, which he included in the list of our Twelfth Night amusements, to another American friend: “The actuary of the national debt couldn’t calculate the number of children who are coming here on Twelfth Night, in honor of Charlie’s birthday, for which occasion I have provided a magic lantern and divers other tremendous engines of that nature.

But the best of it is that Forster and I have purchased between us the entire stock-in-trade of a conjuror, the practice and display whereof is entrusted to me. And if you could see me conjuring the company’s watches into impossible tea-caddies and causing pieces of money to fly, and burning pocket handkerchiefs without burning ’em, and practising in my own room without anybody to admire, you would never forget it as long as you live.”

One of these conjuring tricks comprised the disappearance and reappearance of a tiny doll, which would announce most unexpected pieces of news and messages to the different children in the audience; this doll was a particular favorite, and its arrival eagerly awaited and welcomed.

That he loved to emphasize Christmas in every possible way, the following extract from a note which he sent me in December, 1868, will evidence. After speaking of a reading which he was to give on Christmas

Eve, he says: “It occurs to me that my table at St. James’ Hall might be appropriately ornamented with a little holly next Tuesday. If the two front legs were entwined with it, for instance, and a border of it ran round the top of the fringe in front, with a little sprig by way of bouquet at each corner, it would present a seasonable appearance. If you think of this and will have the materials ready in a little basket, I will call for you at the office and take you up to the hall where the table will be ready for you.”

But I think that our Christmas and New Year’s tides at “Gad’s Hill” were the happiest of all. Our house was always filled with guests, while a cottage in the village was reserved for the use of the bachelor members of our holiday party. My father himself, always deserted work for the week, and that was almost our greatest treat. He was the fun and life of those gatherings, the true Christmas spirit of

sweetness and hospitality filling his large and generous heart. Long walks with him were daily treats to be remembered. Games passed our evenings merrily. “Proverbs,” a game of memory, was very popular, and it was one in which either my aunt or myself was apt to prove winner. Father’s annoyance at our failure sometimes was very amusing, but quite genuine. “Dumb Crambo” was another favorite, and one in which my father’s great imitative ability showed finely. I remember one evening his dumb showing of the word “frog” was so extremely laughable that the memory of it convulsed Marcus Stone, the clever artist, when he tried some time later to imitate it.

One very severe Christmas, when the snow was so deep as to make outdoor amusement or entertainment for our guests impossible, my father suggested that he and the inhabitants of the “bachelors’ cottage” should pass the time in unpacking