“Say, Chub! that boy’s suit would be a great ’make-up’ for me in that new turn—the jig, you know; new, too. There isn’t a song-and-dance on the boards done with Indian make-up. Knock them silly in the East, where they don’t see reds. Now sing out, and tell me if it wouldn’t make a hit.”
“Aw, Goldie, give us a rest on shop talk,” growled the gentleman called Chub. “If you’d put a little more ginger into the good specialty you have, instead of depending on wardrobe, you’d hit ’em hard enough. It ain’t plans that count, girlie—it’s work.”
The “girlie” addressed accepted the criticism with easy indifference, and her fair, dissipated face was only twisted in a grimace, while she held one hand aloft and jingled 13 the bangles on her bracelets as though poising a tambourine.
“Better hustle yourself into the smoker again, Chubby dear. It will take a half-dozen more cigars to put you in your usual sweet frame of mind. Run along now. Ta-ta!”
The other woman seemed to think their remarks very witty, especially when Chub really did arise and make his way toward the smoker. Goldie then went back to the window, where the Indians were to be seen. The quartet were, to judge by their own frank remarks, a party of variety singers and dancers who had been doing the Pacific circuit, and were now booked for some Eastern houses, of which they spoke as “solid.”
Some of the passengers had got out and were buying little things from the Indians, as souvenirs of the country. ’Tana saw Mr. Haydon among them, in earnest conversation with the conductor; saw Max, with his hand full of satchels, suddenly reach out the other hand with a great deal of heartiness and meet the man of the canoe.
He was not so handsome a man as Max, yet would have been noticeable anywhere—tall, olive-skinned, and dark-haired. His dress had not the fashionable cut of the young fellow he spoke to. But he wore his buckskin jacket with a grace that bespoke physical strength and independence; and when he pushed his broad-brimmed gray hat back from his face, he showed a pair of dark eyes that had a very direct glance. They were serious, contemplative eyes, that to some might look even moody.
“There is a fellow with a great figure,” remarked the other woman of the quartet; “that fellow with the sombrero; built right up from the ground, and looks like a picture; don’t he, Charlie?” 14
“I can’t see him,” complained Goldie, “but suppose it’s one of the ranchmen who live about here.” Then she turned and donated a brief survey to ’Tana. “Do you live in this region?” she asked.
After a deliberate, contemptuous glance from the questioner’s frizzed head to her little feet, ’Tana answered: