“Oh, I warned you! I begged you to go,” she said, pleadingly; again she caught his arm as he strode towards the veranda, but he flung himself loose with an angry exclamation:
“Let your friends look to themselves,” he said, grimly. “My own guard is here to receive them today.”
As he tore aside the curtains and opened the glass door she flung herself in front of him. On the steps and on the lawn men were struggling, and shots were being fired. Men were remounting their horses in hot haste and a few minutes later were clattering down the road, leaving one dead stranger at the foot of the steps. But for his presence it would all have seemed but a tumultuous vision of grey-garbed combatants.
It was, perhaps, ten minutes later when Kenneth McVeigh re-entered the library. All was vague and confused in his mind as to what had occurred there in the curtained alcove. She had flung herself in front of him with her arms about him as the door opened; there had been two shots in quick succession, one of them had shattered the glass, and the other––
He remembered tearing himself from her embrace as she clung to him, and he remembered she had sunk with a moan to the floor; at the time he thought her attitude and cry had meant only despair at her failure to stop him, but, perhaps––
He found her in the same place; the oval portrait was open in her hand, as though her last look had been given to the pretty mother, whose memory she had cherished, and whose race she had fought for.
Margeret was crouched beside her, silent as ever, her dark eyes strange, unutterable in expression, were fixed on the beautiful face, but the stray bullet had done its work quickly––she had been quite dead when Margeret reached her.
Monroe told McVeigh the true story of the portrait that 402 night. The two men sat talking until the dawn broke. Delaven was admitted to the conference long enough to hear certain political reasons why the marriage of that morning should continue to remain a secret, and when the mistress of Loringwood was laid to rest under the century-old cedars, it was as Judithe, Marquise de Caron.