Told in the Hills: A Novel

by Marah Ellis Ryan

And she looked as if both the appetite and the wild living had agreed with her. Clara complained that Rachel really seemed to pride herself on the amount of tan she had been able to gather from the wind and the sun, while Hardy decided that only her light hair would keep her from being taken for an Indian.

But for all the looks that were gaining a tinge of wildness, and the appetites that would persist in growing ravenous, it was none the less a jolly, pleasant circle that gathered about the evening meal, sometimes eaten on a large flat stone, if any were handy, and again on the grass, where the knives and small articles of table-ware would lose themselves in the tall spears; but, whatever was used as a table, the meal in the evening was the domestic event of the day. At midday there was often but a hasty lunch; breakfast was simply a preparation for travel; but in the evening all were prepared for rest and the enjoyment of either eatables or society. And until the darkness fell there was the review of the day's hunt by the men—Hardy and Houghton vying with each other in their recitals—or, as Ivans expressed it, "swappin' lies"—around the fire. Sometimes there would be singing, and blended with the notes of night-birds in the forest would sound the call of human throats echoing upward in old hymns that all had known sometime, in the East. And again Tillie would sing them a ballad or a love-song in a sweet, fresh voice; or, with Clara, Hardy, and Houghton, a quartette would add volume to some favorite, their scout a silent listener. Rachel never sang with the rest; she preferred whistling, herself. And many a time when out of sight of her on the trail, she was located by that boyish habit she had of echoing the songs of many of the birds that were new to her, learning their notes, and imitating them so well as to bring many a decoyed answer from the woods.

Between herself and the guide there was no more their former comaraderie. They had never regained their old easy, friendly manner. Still, she asked him that night at "last camp" of the music of the Indians. Had they any? Could he sing? Had there ever been any of their music published? etc.

And he told them of the airs that were more like chants, like the echoes of whispering or moaning forests, set to human words; of the dusky throats that, without training, yet sang together with never a discord; of the love-songs that had in them the minor cadences of sadness. Only their war-songs seemed to carry brightness, and they only when echoes of victory.

In the low, glowing light of the fire, when the group around it faded in the darkness, he seemed to forget his many listeners, and talked on as if to only one. To the rest it was as if they had met a stranger there that evening for the first time, and found him entertaining. Even Mrs. Houghton dropped her slightly supercilious manner toward him, a change to which he was as indifferent as to her coolness. It may have been Tillie's home-songs in the evening that unlocked his lips; or it may have been the realization that the pleasure-trip was ended—that in a short time he would know these people no more, who had brought him home-memories in their talk of home-lives. It may have been a dash of recklessness that urged him to enjoy it for a little only—this association that suggested so much to which he had long been a stranger. Whatever the impulse was, it showed a side of his nature that only Rachel had gained any knowledge of through those first bright, eager days of their cultus corrie.

At Tillie's request he repeated some remembered fragments of Indian songs that had been translated into the Red's language, and of which he gave them the English version or meaning as well as he could. A couple of them he knew entire, and to Tillie's delight he hummed the plaintive airs until she caught the notes. And even after the rest had quietly withdrawn and rolled themselves in blankets for the night's rest, Hardy and his wife and Genesee still sat there with old legends of Tsiatko, the demon of the night, for company, and with strange songs in which the music would yet sound familiar to any ears used to the shrilling of the winds through the timber, or the muffled moans of the wood-dove.

And in the sweet dusk of the night, Rachel, the first to leave the fire, lay among the odorous, spicy branches of the cedar and watched the picture of the group about the fire. All was in darkness, save when a bit of reflected red would outline form or feature, and they looked rather uncanny in the red-and-black coloring. An Indian council or the grouping of witches and warlocks it might have been, had one judged the scene only from sight. But the voices of the final three, dropped low though they were for the sake of the supposed sleepers, yet had a tone of pleasant converse that belied their impish appearance.

Those voices came to Rachel dreamily, merging their music with the drowsy odors of a spruce pillow. And through them all she heard Tillie and Genesee singing a song of some unlettered Indian poet:

"Lemolo mika tsolo siah polaklie,
Towagh tsee chil-chil siah saghallie.
Mika na chakko?—me sika chil-chil,
Opitsah! mika winapia,
Tsolo—tsolo!"

"Wild do I wander, far in the darkness,
Shines bright a sweet star far up above.
Will you not come to me? you are the star,
Sweetheart! I wait,
Lost!—in the dark!"