The Plan of Pompeii.—The Princely Names of the Houses.—Appearance of the Streets, Pavements, Sidewalks, etc.—The Shops and the Signs.—The Perfumer, the Surgeon, etc.—An ancient Manufactory.—Bathing Establishments.—Wine-shops, Disreputable Resorts.—Hanging Balconies, Fountains.—Public Placards: Let us Nominate Battur! Commit no Nuisance!—Religion on the Street.
You have no need of me for this excursion. Cast a glance at the plan, and you will be able to find your own way. You will there see an oval inclosure, a wall pierced with several entrances designated by the names of the roads which ran from them, or rather of the cities at which these roads terminated—Herculaneum, Nola, Stabiæ, etc. Two-thirds of the egg are still immaculate; you discover a black spot only on the extreme right, marking out the Amphitheatre. All this white space shows you the part of Pompeii that has not yet been designated. It is a hillside covered with vineyards, gardens, and orchards. It is only on the left that you will find the lines marking the streets, the houses, the monuments, and the public squares. The text gives us the fancied names attributed to the streets, namely: the Street of Abundance, the Street of Twelve Gods, the Street of Mercury, the Street of Fortune, the Street of Fortunata, Modest Street, etc. The names given to the houses are still more arbitrary. Most of them were christened, under the old system, by the august or illustrious personages before whom they were dug out for the first time. Thus, we have at Pompeii the house of Francis II., that of Championnet, that of Joseph II.; those of the Queen of England, the King of Prussia, the Grand Duke of Tuscany; that of the Emperor, and those of the Empress and of the Princes of Russia; that of Goethe, of the Duchess de Berry, of the Duke d'Aumale—I skip them by scores. The whole Gotha Almanac might there be passed in review. This determined, ramble through the streets at will, without troubling yourself about their names, as these change often at the caprice of antiquaries and their guides.
The narrowness of these streets will surprise you; and if you come hither to look for a Broadway, you had better have remained at home. What we call great arteries of traffic were unknown to the Pompeians, who cut only small paved paths between their houses—for the sake of health, they said. We entertain different views of this question of salubrity.
The greatest width of a Pompeian street is seven yards, and there are some which are comprised, sidewalks and all, within a space of two yards and a half. These sidewalks are raised, very narrow, and paved very variously, according to the wealth or the fancy of the proprietors, who had to keep them in good order. Here are handsome stone flags; further on merely the soil beaten down; in front of the next house are marble slabs, and here and there patches of opus signinum, a sort of rudimentary mosaic, to which we shall refer further on. These sidewalks were intersected with curbstones, often pierced with holes—in front of shops, for instance—perhaps for tethering the cows and donkeys of the peasants who every morning brought the citizens milk or baskets of vegetables to their own doors. Between the sidewalks was hollowed out the street, paved with coarse blocks of lava which time has not worn down. When Pansa went to the dwelling of Paratus his sandals trod the same stones that now receive the impress of our boots. On rainy days this street must have been the bed of a torrent, as the alleys and by-ways of Naples are still; hence, one, sometimes three, thicker blocks were placed so as to enable foot passengers to cross with dry feet. These small fording blocks must have made it difficult for vehicles to get by; hence, the ruts that are still found traceable on the pavement are the marks of wagons drawn slowly by oxen, and not of those light chariots which romance-writers launch forth so briskly in the ancient city. Moreover, it has been ascertained that the Pompeians went afoot; only the quality had themselves drawn about in chariots in the country. Where could room have been found for stables and carriage-houses in those dwellings scarcely larger than your hat? It was in the suburbs only, in the outskirts of the city, that the dimensions of the residences rendered anything of the kind possible. Let us, then, obliterate these chariots from our imagination, if we wish to see the streets of Pompeii as they really were.
After a shower, the rain water descended, little by little, into the gutters, and from the latter, by holes still visible, into a subterranean conduit that carried it outside of the city. One of these conduits is still open in the Street of Stabiæ, not far from the temple of Isis.
As to the general aspect of these ancient thoroughfares, it would seem dull enough, were we to represent the scene to our fancy with the houses closed, the windows gone, the dwellings with merely a naked wall for a front, and receiving air and light only from the two courts. But it was not so, as everything goes to prove. In the first place, the shops looked out on the street and were, indeed almost entirely open, like our own, offering to the gaze of the passers-by a broad counter, leaving only a small space free to the left or the right to let the vendors pass in and out. In these counters, which were usually covered with a marble slab, were hollowed the cavities wherein the grocers and liquor-dealers kept their eatables and drinkables. Behind the counters and along the walls were stone shelves, upon which the stock was put away. Festoons of edibles hung displayed from pillar to pillar; stuffs, probably, adorned the fronts, and the customers, who made their purchases from the sidewalk, must have everywhere formed noisy and very animated groups. The native of the south gesticulates a great deal, likes to chaffer, discusses with vehemence, and speaks loudly and quickly with a glib tongue and a sonorous voice. Just take a look at him in the lower quarters of Naples, which, in more than one point of view, recall the narrow streets of Pompeii.
These shops are now dismantled. Nothing of them remains but the empty counters, and here and there the grooves in which the doors slid to and fro. These doors themselves were but a number of shutters fitting into each other. But the paintings or carvings which still exist upon some side pillars are old signs that inform us what was sold on the adjoining counter. Thus, a goat in terra cotta indicated a milk-depot; a mill turned by an ass showed where there was a miller's establishment; two men, walking one ahead of the other and each carrying one end of a stick, to the middle of which an amphora is suspended, betray the neighborhood of a wine-merchant. Upon other pillars are marked other articles not so readily understood,—here an anchor, there a ship, and in another place a checker-board. Did they understand the game of Palamedes at Pompeii? A shop near the Thermæ, or public warm baths, is adorned on its front with a representation of a gladiatorial combat. The author of the painting thought something of his work, which he protected with this inscription: "Abiat (habeat) Venerem Pompeianam iradam (iratam) qui hoc læserit! (May he who injures this picture have the wrath of the Pompeian Venus upon him!)"
Other shops have had their story written by the articles that they contained when they were found. Thus, when there were discovered in a suite of rooms opening on the Street of Herculaneum, certain levers one of which ended in the foot of a pig, along with hammers, pincers, iron rings, a wagon-spring, the felloe of a wheel, one could say without being too bold that there had been the shop of a wagon-maker or blacksmith. The forge occupied only one apartment, behind which opened a bath-room and a store-room. Not far from there a pottery is indicated by a very curious oven, the vault of which is formed of hollow tubes of baked clay, inserted one within the other. Elsewhere was discovered the shop of the barber who washed, brushed, shaved, clipped, combed and perfumed the Pompeians living near the Forum. The benches of masonry are still seen where the customers sat. As for the dealers in soap, unguents, and essences, they must have been numerous; their products supplied not only the toilet of the ladies, but the religious or funeral ceremonies, and after having perfumed the living, they embalmed the dead. Besides the shops in which the excavators have come suddenly upon a stock of fatty and pasty substances, which, perhaps, were soaps, we might mention one, on the pillar of which three paintings, now effaced, represented a sacrificial attendant leading a bull to the altar, four men bearing an enormous chest around which were suspended several vases; then a body washed and anointed for embalming. Do you understand this mournful-looking sign? The unguent dealer, as he was called, thus made up the body and publicly placarded it.
From the perfumery man to the chemist is but a step. The shop of the latter tradesman was found—so it is believed, at all events in clearing out a triple furnace with walled boilers. Two pharmacies or drug-stores, one in the Street of Herculaneum, the other fronting the Chalcidicum, have been more exactly designated not only by a sign on which there was seen a serpent (one of the symbols of Æsculapius) eating a pineapple, but by tablets, pills, jars, and vials containing dried-up liquids, and a bronze medicine chest divided into compartments which must have contained drugs. A groove for the spatula had been ingeniously constructed in this curious little piece of furniture.