The Guermantes Way

by Marcel Proust

But she could not get rid of the look of anguish in her eyes, the sweat on her brow, the convulsive start, checked at once, of her limbs.

“There is nothing wrong. I’m complaining because I’m not lying very comfortably. I feel my hair is untidy, my heart is bad, I knocked myself against the wall.”

And my mother, at the foot of the bed, rivetted to that suffering form, as though, by dint of piercing with her gaze that pain-bedewed brow, that body which hid the evil thing within it, she could have succeeded in reaching that evil thing and carrying it away, my mother said:

“No, no, Mamma dear, we won’t let you suffer like that, we will find something to take it away, have patience just for a moment; let me give you a kiss, darling—no, you’re not to move.”

And stooping over the bed, with bended knees, almost kneeling on the ground, as though by an exercise of humility she would have a better chance of making acceptable the impassioned gift of herself, she lowered towards my grandmother her whole life contained in her face as in a ciborium which she extended over her, adorned in relief with dimples and folds so passionate, so sorrowful, so sweet that one knew not whether they had been carved by the chisel of a kiss, a sob or a smile. My grandmother, also, tried to lift up her face to Mamma’s. It was so altered that probably, had she been strong enough to go out, she would have been recognised only by the feather in her hat. Her features, like the clay in a sculptor’s hands, seemed to be straining, with an effort which distracted her from everything else, to conform to some particular model which we failed to identify. This business of modelling was now almost finished, and if my grandmother’s face had shrunk in the process it had at the same time hardened. The veins that ran beneath its surface seemed those not of a piece of marble but of some more rugged stone. Constantly thrust forwards by the difficulty that she found in breathing and as constantly forced back on to her pillow by exhaustion, her face, worn, diminished, terribly expressive, seemed like, in a primitive, almost prehistoric carving, the rude, flushed, purplish, desperate face of some savage guardian of a tomb. But the whole task was not yet accomplished. Next, her resistance must be overcome, and that tomb, the entrance to which she had so painfully guarded, with that tense contraction, entered.

In one of those moments in which, as the saying goes, one does not know what saint to invoke, as my grandmother was coughing and sneezing a good deal, we took the advice of a relative who assured us that if we sent for the specialist X—— he would get rid of all that in a couple of days. People say that sort of thing about their own doctors, and their friends believe them just as Françoise always believed the advertisements in the newspapers. The specialist came with his bag packed with all the colds and coughs of his other patients, like Aeolus’s bottle. My grandmother refused point-blank to let herself be examined. And we, out of consideration for the doctor, who had had his trouble for nothing, deferred to the desire that he expressed to inspect each of our noses in turn, albeit there was nothing the matter with any of them. According to him, however, there was; everything, whether headache or colic, heart-disease or diabetes, was a disease of the nose that had been wrongly diagnosed. To each of us he said: “I should like to have another look at that little cornea. Don’t put it off too long. I can soon get rid of it for you with a hot needle.”[needle.”] We were, of course, thinking of something quite different. And yet we asked ourselves: “Get rid of what?” In a word, every one of our noses was diseased; his mistake lay only in his use of the present tense. For by the following day his examination and provisional treatment had taken effect. Each of us had his or her catarrh. And when in the street he ran into my father doubled up with a cough, he smiled to think that an ignorant layman might suppose the attack to be due to his intervention. He had examined us at a moment when we were already ill.

My grandmother’s illness gave occasion to various people to manifest an excess or deficiency of sympathy which surprised us quite as much as the sort of chance which led one or another of them to reveal to us connecting links of circumstances, or of friendship for that matter, which we had never suspected. And the signs of interest shewn by the people who called incessantly at the house to inquire revealed to us the gravity of an illness which, until then, we had not sufficiently detached from the countless painful impressions that we received in my grandmother’s room. Summoned by telegram, her sisters declined to leave Combray. They had discovered a musician there who gave them excellent chamber concerts, in listening to which they thought that they could find, better than by the invalid’s bedside, food for thought, a melancholy exaltation the form of which was, to say the least of it, unusual. Mme. Sazerat wrote to Mamma, but in the tone of a person whom the sudden breaking off of a betrothal (the cause of the rupture being her Dreyfusism) has parted from one for ever. Bergotte, on the other hand, came every day and spent several hours with me.

He had always made a habit of going regularly for some time to the same house, where, accordingly, he need not stand on ceremony. But formerly it had been in order that he might talk without being interrupted; now it was so that he might sit for as long as he chose in silence, without being expected to talk. For he was very ill, some people said with albuminuria, like my grandmother. According to another version, he had a tumour. He grew steadily weaker; it was with difficulty that he came up our staircase, with greater difficulty still that he went down it. Even though he held on to the banisters he often stumbled, and he would, I believe, have stayed at home had he not been afraid of losing altogether the habit of going out, the capacity to go out, he, the “man with the little beard” whom I had seen so alert, not very long since. He was now quite blind and even his speech was frequently obstructed.

But at the same time, by a directly opposite process, the body of his work, known only to a few literary people at the period when Mme. Swann used to patronise their timid efforts to disseminate it, now grown in stature and strength before the eyes of all, had acquired an extraordinary power of expansion among the general public. The general rule is, no doubt, that only after his death does a writer become famous. But it was while he still lived, and during his slow progress towards a death that he had not yet reached that this writer was able to watch the progress of his works towards Renown. A dead writer can at least be illustrious without any strain on himself. The effulgence of his name is stopped short by the stone upon his grave. In the deafness of the eternal sleep he is not importuned by Glory. But for Bergotte the antithesis was still incomplete. He existed still sufficiently to suffer from the tumult. He was moving still, though with difficulty, while his books, bounding about him, like daughters whom one loves but whose impetuous youthfulness and noisy pleasures tire one, brought day after day, to his very bedside, a crowd of fresh admirers.

The visits which he now began to pay us came for me several years too late, for I had no longer the same admiration for him as of old. Which is not in any sense incompatible with the growth of his reputation. A man’s work seldom becomes completely understood and successful before that of another writer, still obscure, has begun in the minds of certain people more difficult to please to substitute a fresh cult for one that has almost ceased to command observance. In the books of Bergotte which I constantly re-read, his sentences stood out as clearly before my eyes as my own thoughts, the furniture in my room and the carriages in the street. All the details were quite easily seen, not perhaps precisely as one had always seen them, but at any rate as one was accustomed to see them now. But a new writer had recently begun to publish work in which the relations between things were so different from those that connected them for me that I could understand hardly anything of what he wrote. He would say, for instance: “The hose-pipes admired the smart upkeep of the roads” (and so far it was simple, I followed him smoothly along those roads) “which started every five minutes from Briand and Claudel.” At that point I ceased to understand, because I had expected the name of a place and was given that of a person instead. Only I felt that it was not the sentence that was badly constructed but I myself that lacked the strength and ability necessary to reach the end. I would start afresh striving tooth and nail to climb to the pinnacle from which I would see things in their novel relations. And each time, after I had got about half way through the sentence, I would fall back again, as later on, when I joined the Army, in my attempts at the exercise known as the “bridge-ladder”. I felt nevertheless for the new writer the admiration which an awkward boy who never receives any marks for gymnastics feels when he watches another more nimble. And from then onwards I felt less admiration for Bergotte, whose limpidity began to strike me as insufficient. There was a time at which people recognised things quite easily in pictures when it was Fromentin who had painted them, and could not recognise them at all when it was Renoir.