Orator and philosopher, as well as statesman and general, Pericles had the most lofty views. "Athens," says a modern writer, "was to become not only the capital of Greece, but the center of art and refinement, and, at the same time, of those democratical theories which formed the beau ideal of the Athenian notions of government." Athens became the center and capital of the most polished communities of Greece; she drew into a focus all the Grecian intellect, and she obtained from her dependents the wealth to administer the arts, which universal traffic and intercourse taught her to appreciate. The treasury of the state being placed in the hands of Pericles, he knew no limit to expenditure but the popular will, which, fortunately for the glories of Grecian art, kept pace with the vast conceptions of the master designer. Most of those famous structures that crowned the Athenian Acropolis, or surrounded its base, were either built or adorned by his direction, under the superintendence of the great sculptor, Phidias. The Parthenon, the Ode'um, the gold and ivory statue of the goddess Minerva, and the Olympian Jupiter—the latter two the work of the great sculptor himself—were alone sufficient to immortalize the "Age of Pericles." Of these miracles of sculpture and of architecture, as well as of the literature of this period, we shall speak farther in a subsequent place.
Of the general condition and appearance of Athens during the fourteen years that the Thirty Years' Truce was observed, HAYGARTH gives us the following poetical description:
All the din of war
Was hushed to rest. Within a city's walls,
Beneath a marble portico, were seen
Statesmen and orators, in robes of peace,
Holding discourse. The assembled multitude
Sat in the crowded theatre, and bent
To hear the voice of gorgeous Tragedy
Breathing, in solemn verse, or ode sublime,
Her noble precepts. The broad city's gates
Poured forth a mingled throng—impatient steeds
Champing their bits, and neighing for the course:
Merchants slow driving to the busy port
Their ponderous wains: Religion's holy priests
Leading her red-robed votaries to the steps
Of some vast temple: young and old, with hands
Crossed on their breasts, hastening to walks and shades
Suburban, where some moralist explained
The laws of mind and virtue. On a rock
A varied group appeared: some dragged along
The rough-hewn block; some shaped it into form;
Some reared the column, or with chisel traced
Forms more than human; while Content sat near,
And cheered with songs the toil of Industry.
But, as the poet adds,
Soon passed this peaceful pageant: War again
Brandished his bloody lance—
and then began that dismal period between the "Age of Pericles" and the interference of the Romans—embracing the three Peloponnesian wars, the rising power of Macedonia under Philip of Macedon, the wars of Alexander and the contentions that followed—known as the period of the civil convulsions of Greece.
CHAPTER XI.
THE PELOPONNESIAN WARS, AND THE FALL OF ATHENS.
CAUSES OF THE FIRST WAR.
The various successful schemes of Pericles for enriching and extending the power of Athens were regarded with fear and jealousy by Sparta and her allies, who were only waiting for a reasonable excuse to renew hostilities. The opportunity came in 435 B.C. Corinth, the ally of Sparta, had become involved in a war with Corcy'ra, one of her colonies, when the latter applied to Athens for assistance. Pericles persuaded the Athenians to grant the assistance, and a small fleet was dispatched to Corcyra. The engagement that ensued, in which the Athenian ships bore a part —the greatest contest, Thucydides observes, that had taken place between Greeks to that day—was favorable to the Corinthians; but the sight of a larger Athenian squadron advancing toward the scene of action caused the Corinthians to retreat. This first breach of the truce was soon followed by another. Potidæ'a, a Corinthian colony, but tributary to Athens, revolted, on account of some unjust demands that the Athenians had enforced against it, and claimed and obtained the assistance of the Corinthians. Thus, in two instances, were Athens and Corinth, though nominally at peace, brought into conflict as open enemies.