loses so much in the rendering, that the beauty of the passage can be fully appreciated only by the Greek scholar.] There are no lumpish solidities, no billowy protuberances here. All is melting, drifting, evanescent, full of air, and light as dew."
Choral Song from "The Birds."
In the following extract from the comedy of The Birds, Aristophanes ridicules the popular belief of the Greeks in signs and omens drawn from the birds of the air. Though undoubtedly an exaggeration, it may nevertheless be taken as a fair exposition of the superstitious notions of an age that had its world-renowned "oracles," and as a good example of the poet's comic style. The extract is from the Choral Song in the comedy, and is a true poetic gem.
Ye children of man! whose life is a span,
Protracted with sorrow from day to day;
Naked and featherless, feeble and querulous,
Sickly, calamitous creatures of clay!
Attend to the words of the sovereign birds,
Immortal, illustrious lords of the air,
Who survey from on high, with a merciful eye,
Your struggles of misery, labor, and care.
Whence you may learn and clearly discern
Such truths as attract your inquisitive turn—
Which is busied of late with a mighty debate,
A profound speculation about the creation,
And organical life and chaotical strife—
With various notions of heavenly motions,
And rivers and oceans, and valleys and mountains,
And sources of fountains, and meteors on high,
And stars in the sky.... We propose by-and-by
(If you'll listen and hear) to make it all clear.
All lessons of primary daily concern
You have learned from the birds (and continue to learn),
Your best benefactors and early instructors.
We give you the warnings of seasons returning:
When the cranes are arranged, and muster afloat
In the middle air, with a creaking note,
Steering away to the Libyan sand,
Then careful farmers sow their lands;
The craggy vessel is hauled ashore;
The sail, the ropes, the rudder, and oar
Are all unshipped and housed in store.
The shepherd is warned, by the kite re-appearing,
To muster his flock and be ready for shearing.
You quit your old cloak at the swallow's behest,
In assurance of summer, and purchase a vest.
For Delphi, for Ammon, Dodo'na—in fine,
For every oracular temple and shrine—
The birds are a substitute, equal and fair;
For on us you depend, and to us you repair
For counsel and aid when a marriage is made—
A purchase, a bargain, or venture in trade:
Unlucky or lucky, whatever has struck ye—
A voice in the street, or a slave that you meet,
A name or a word by chance overheard—
If you deem it an omen you call it a bird;
And if birds are your omens, it clearly will follow
That birds are a proper prophetic Apollo.
—Trans. by FRERE.
III. HISTORY.
As we have stated in a former chapter, literary compositions in prose first appeared among the Greeks in the sixth century B.C., and were either mythological, or collections of local legends, whether sacred or profane, of particular districts. It was not until a still later period that the Grecian prose writers, becoming more positive in their habits of thought, broke away from speculative and mystical tendencies, and began to record their observations of the events daily occurring about them. In the writings of Hecatæ'us of Mile'tus, who flourished about 500 B.C., we find the first elements of history; and yet some modern writers think he can lay no claim whatever to the title of historian, while others regard him as the first historical writer of any importance. He visited Greece proper and many of the surrounding countries, and recorded his observations and experiences in a work of a geographical character, entitled Periodus. He also wrote another work relating to the mythical history of Greece, and died about 467 B.C.