[14] The form which Marco gives to this word was probably a reminiscence of the Oriental corruption failsúf. It recalls to my mind a Hindu who was very fond of the word, and especially of applying it to certain of his fellow-servants. But as he used it, bara failsúf,—“great philosopher”—meant exactly the same as the modern slang “Artful Dodger”!
[15] See for the explanation of Karma, “the power that controls the universe,” in the doctrine of atheistic Buddhism, Hardy’s Eastern Monachism, p. 5.
[16] Vol. ii. p. 316 (see also [i. 348]).
[17] Vol. ii. pp. 318–319.
ORIGINAL PREFACE.
The amount of appropriate material, and of acquaintance with the mediæval geography of some parts of Asia, which was acquired during the compilation of a work of kindred character for the Hakluyt Society,[1] could hardly fail to suggest as a fresh labour in the same field the preparation of a new English edition of Marco Polo. Indeed one kindly critic (in the Examiner) laid it upon the writer as a duty to undertake that task.
Though at least one respectable English edition has appeared since Marsden’s,[2] the latter has continued to be the standard edition, and maintains not only its reputation but its market value. It is indeed the work of a sagacious, learned, and right-minded man, which can never be spoken of otherwise than with respect. But since Marsden published his quarto (1818) vast stores of new knowledge have become available in elucidation both of the contents of Marco Polo’s book and of its literary history. The works of writers such as Klaproth, Abel Rémusat, D’Avezac, Reinaud, Quatremère, Julien, I. J. Schmidt, Gildemeister, Ritter, Hammer-Purgstall, Erdmann, D’Ohsson, Defrémery, Elliot, Erskine, and many more, which throw light directly or incidentally on Marco Polo, have, for the most part, appeared since then. Nor, as regards the literary history of the book, were any just views possible at a time when what may be called the Fontal MSS. (in French) were unpublished and unexamined.
Besides the works which have thus occasionally or incidentally thrown light upon the Traveller’s book, various editions of the book itself have since Marsden’s time been published in foreign countries, accompanied by comments of more or less value. All have contributed something to the illustration of the book or its history; the last and most learned of the editors, M. Pauthier, has so contributed in large measure. I had occasion some years ago[3] to speak freely my opinion of the merits and demerits of M. Pauthier’s work; and to the latter at least I have no desire to recur here.