Sylvia was compelled to smile at the compliment, made in the presence of some twenty prisoners, who were carrying the various trunks and packages up the hill, and she remarked that the said prisoners grinned at the Commandant's clumsy courtesy. “I don't like Captain Burgess, Maurice,” she said, in the interval before dinner. “I dare say he did flog that poor fellow to death. He looks as if he could do it.”
“Nonsense!” said Maurice, pettishly; “he's a good fellow enough. Besides, I've seen the doctor's certificate. It's a trumped-up story. I can't understand your absurd sympathy with prisoners.”
“Don't they sometimes deserve sympathy?”
“No, certainly not—a set of lying scoundrels. You are always whining over them, Sylvia. I don't like it, and I've told you before about it.”
Sylvia said nothing. Maurice was often guilty of these small brutalities, and she had learnt that the best way to meet them was by silence. Unfortunately, silence did not mean indifference, for the reproof was unjust, and nothing stings a woman's fine sense like an injustice. Burgess had prepared a feast, and the “Society” of Port Arthur was present. Father Flaherty, Meekin, Doctor Macklewain, and Mr. and Mrs. Datchett had been invited, and the dining-room was resplendent with glass and flowers.
“I've a fellow who was a professional gardener,” said Burgess to Sylvia during the dinner, “and I make use of his talents.”
“We have a professional artist also,” said Macklewain, with a sort of pride. “That picture of the 'Prisoner of Chillon' yonder was painted by him. A very meritorious production, is it not?”
“I've got the place full of curiosities,” said Burgess; “quite a collection. I'll show them to you to-morrow. Those napkin rings were made by a prisoner.”
“Ah!” cried Frere, taking up the daintily-carved bone, “very neat!”
“That is some of Rex's handiwork,” said Meekin. “He is very clever at these trifles. He made me a paper-cutter that was really a work of art.”