I had a Jersey cow and a fine milk house with a stream of cold water running through. I made my own butter and had enough to supply the Sime family when they spent their summer there. The lovely moonlight nights on this fine sheet of water above the dam are with me now, and how the hills resounded with our songs as we rowed along. I had a fine horse and carriage, and it was great sport to go to town with our splendid Jim, as we called him. Those were happy times. The children had the best of air and full play among the hills. We remained two years when Mr. Blake's eyes became inflamed from the fumes of the lime used to rot the straw, and we were obliged to give up the place and change once more.
CHAPTER SIX
SANTA CRUZ IN THE SIXTIES. WHY I BECAME A DRESSMAKER. OPERA. MUSIC IN SAN FRANCISCO IN THE SEVENTIES
E HAD become attached to Santa Cruz and concluded to live there and begin some kind of business. When our time had expired at the mill, Mr. Blake had found a convenient store. He was well known and had been chief salesman for J.C. Johnson & Bros., saddle and harness dealers on Market street, San Francisco, and later he was employed by Main & Winchester in the same business. He was able to get his stock and start under fine auspices. It was not long before everything looked prosperous for us. Since we were both musical, Mr. Blake having a fine lyric tenor voice and also playing the piano, we were soon the center of musical attraction. We found other voices also that were of the right sort, and it was not many months before the music of Santa Cruz was recognized and appreciated. Mrs. Eliza Boston, a fine dramatic soprano, was the wife of Joseph Boston, a wealthy business man, and sang only for her friends and church, which was her pleasure, but she was also kind when any necessity presented itself. She cheerfully did her part, especially for the Calvary Episcopal Church of which she was a devout member. The rector, Rev. Giles A. Easton, one of the pioneer ministers of the church, appreciated her talent in the assistance she gave to the music in those early days of California when music was so hard to obtain.
What happy days were these to us who loved music and sang for the love of it and for the little church that stands today covered with ivy, planted when Mrs. Boston and I sang together in the choir. On high days we were able to procure the assistance of some fine voices of the men singers, Samuel Sharp, basso; Rollins Case, tenor; Charles Metti, tenor soloist. There was no salary in those days for our services. We did it all as God's work and it mattered not what creed. Wherever we were needed our services were liberally given. Rev. P.Y. Cool was pastor of the First Methodist Church and I aided his church for many months and had fine support from Mr. Ossian Auld, one of God's voices sent on earth to give us a taste of what was in store for us in the Choir Invisible. How we sang together can only be appreciated by those who worshiped and heard the voices, who by nature were created with the musical temperament that sings. I never heard but one more tenor of that nature during my singing life in California and of him I will speak later, for it was after I returned to San Francisco that I had the pleasure to be in the choir and sing with the dearly beloved Joe Maguire. While I remained in Santa Cruz I sang for Dr. Frear's church, also the Unitarian Church of which the pastor, Dr. Ames, and his good wife were fine musicians. In the Presbyterian Church we found Mr. Fred Anthony, a tenor, who was one of the useful tenors, and reliable young men workers in the church. He came to California in 1854, a son of the Wm. Anthony family, composed of musicians. Miss Louisa Anthony was the organist of the church. The civil war was not yet at an end and money was needed for the wounded and the suffering in hospitals and the Christian commission was in need of funds to carry on the good work of relief. All who were able and had voices or dramatic talent were called upon to assist in the good work; consequently many entertainments were given in aid of this cause. Young and old who had talent were enlisted and there was no lack of enthusiasm, for the cause appealed to all who were patriotic and in sympathy with the boys in blue who were still marching, fighting and dying for our beloved land. Those who were foremost in the good work during these trying times are worthy of having their names enrolled in this history of California's early days as actors for good in the development of the state, upholding the government and assisting in the building of churches and other institutions that have made our State the Queen of the Pacific Coast. I feel proud that I can place on the roll of honor such names as the following men and women singers, dramatic performers and excellent musicians:
Vocalists.
Auld, Ossian, tenor
Anthony, Frederick, tenor
Anthony, Louisa, soprano
Blake, Geo. H., tenor
Boston, Mrs. Eliza, dramatic soprano
Blake, Mrs. M.R., mezzo-contralto
Finkeldey, W., tenor
Grove, Mr., bass
Kittridge, Miss, soprano
Miller, Chas. M., tenor
Metti, Chas., tenor
Pringle, Wm., bass
Pioda, Mrs. Mary Emma, soprano
Battersby, Mr., tenor
Bender, Edward, bass
Baily, Miss Lorena, soprano
Case, Rollin, tenor
Sharp, Samuel, basso profundo
Steal, Miss Ella, contralto
Wilson, Mr., bass
Williams, Miss, soprano