RUDOLPH HEROLD
HE FIRST famous orchestra leader in San Francisco was Rudolph Herold, born in Prussia, Germany, March 29, 1832, and died in San Francisco, July 25, 1889. He received his musical education at Leipsic Conservatory with Plaidy and Moscheles, his teachers on the piano, and Mendelssohn, teacher of the theory of music and composition.
He arrived in San Francisco in 1852 as solo pianist and accompanist with the famous Catherine Hayes. He saw opportunities in this young city for fostering and cultivating good music and remained here until his death. He was closely identified with every important musical event up to the time when he was stricken with paralysis three years preceding his death.
In the early fifties he organized, under the patronage of Harry Meiggs, who was an ardent lover of music, the San Francisco Philharmonic society and rendered such important works as Elijah, St. Paulus, by Mendelssohn, Mass Requiem, by Mozart, The Desert, by Felician David, etc., etc. He also organized the famous San Francisco Harmonie, a singing society for male voices. He was organist at St. Mary's Cathedral and the First Unitarian Church for over twenty years and Temple Emanuel for twenty-five years. He had full charge of the great musical festival in 1870, given by Camilla Urso in aid of the Mercantile Library fund and conducted at the second festival given by Sumner Bugbee in conjunction with Carl Zerrahn of Boston. He conducted all the earlier Italian opera seasons given by Bianchi at the old Metropolitan, Maguire's opera house. In 1874 he organized his Symphony orchestra and continued his concerts without financial backing up to the time of his illness, producing the standard symphonic works of the old masters and also those of the more modern composers, such as Schuman, Rubinstein, Raff, Brahms and St. Saens.
J.H. DOHRMANN
Mr. Dohrmann, a native of Hesse, Germany, took his first piano lesson when but six years old. At the age of eleven years he had made such remarkable progress that his parents sent him to a seminary at Homburg to further develop his musical talent and other studies. Dr. Wilhelm Volekmar, an eminent organist, pianist and accomplished musician, was the head of the musical department. Under his tuition he became a brilliant pianist and a good organist. He was an indefatigable student, not only in music but also languages—the foundations of which were laid there. After remaining a few years there, his parents decided to emigrate to America and came to San Francisco, where a son had preceded them in 1854.
Dohrmann went to school there to perfect his knowledge of the English language, and continued his studies in music, harmony, theory and instrumentation for some time, under the guidance of Prof. R. Herold, and later alone, when compelled to live in the country on account of failing health.
In 1857 he located in Sacramento, where he remained one year, then went to San Jose, where he was successful as a teacher, also as director of singing societies. However, being ambitious to associate with better musicians, and to be in a greater field for music, in 1861 he came to San Francisco. There he soon became a favorite with the musicians as a pianist. In 1862 he made his advent as pianist in a theater of which he became the leader of the orchestra later. Since then he has been the musical director in a number of theaters in San Francisco—Metropolitan, Montgomery street; American, Sansome street; Alhambra (later Bush Street Theater); Shiels Opera house, Bush street; Platts Hall, Montgomery street; a few performances at the California Theater, in 1876; Grand Opera House, Mission street; Winter Garden, Post and Stockton streets; Tivoli, Eddy street; in Oakland, Oakland Tivoli; Cameron Hall, Fourteenth street; Oakland theater, later Coliseum, Twelfth street; also was director of the Oakland Harmonic society until he became director at the Grand Opera House, San Francisco. Became organist at St. Patrick's church, March, 1864, then located at the corner of Annie and Market streets, San Francisco, later on Mission street. Held that position until May, 1899. During the greater part of his musical career he has resided in Oakland, where he is still busy as a teacher.
I.G. Drebler, in April, 1910, desired him to accept the chair of musical director and critic of the Technique System Conservatory of Music, Los Angeles. His business of so many years' standing could not be properly adjusted for him to accept this advantageous offer and he still continues his musical instructions in his home studio, Eighth street, Oakland, and San Francisco.