On her return to her native land, five years ago, after nearly twenty years' absence practically from the organ, Mrs. Garthwaite was able to give occasional public performances, playing as organist in the First Church of Christ, Scientist, for a year and a half, and after all these years is again organist of the First Baptist Church in Oakland, the church where she began her career as a girl of nineteen for five dollars a month.

Mrs. Garthwaite considers the most noteworthy event in her career to be the anniversary recital given last year in the Baptist Church, when she repeated her performance of twenty years before, substituting her two sons and her nephew, Lowell Redfield, for Mr. Sigmund Beel and Miss Lizzie Bogue, and giving as a great surprise to her audience a wonderful and inspiring performance by Mrs. Blake-Alverson of "The Last Rose of Summer." It was said afterwards that it was like a song from heaven and would never be forgotten.

SANTIAGO ARRILLAGA Y ANSOLA

Mr. Arrillaga was born in 1848 at Iolosa in the Province of Guipuzcoa, Spain, and at the age of ten began the study of music in the old Spanish fashion, with a solfeggio master who employed no instrumental accompaniment whatever. In the course of a year he had fully mastered all that could be taught him by his master. He then began the study of the piano as a recreation, his teacher being D.E. Aguayo, organist of the parish church. He attended school, both in Spain and France, until the age of sixteen, when, having decided to pursue the musical art as a profession, he was sent to the Royal Conservatory at Madrid, where he became the pupil of Don M. Mendizabal in piano, Don R. Hermando in harmony and Dr. H. Esloa in counterpoint. At the close of three years he was graduated with the highest honors, having obtained the first prize at the public examination and being decorated with the gold medal of the university, which was conferred on him by Queen Isabella (the second). In 1867 Senor Arrillaga went to Paris, where he studied at the conservatory and also took private lessons. At the age of twenty-one he was seized with a desire to travel and, after a sojourn in several South American cities and in the Antilles, he came to this country.

At San Jose de Costa Rica he remained for five years and he would in all probability have made his home at that delightful place, as he had every inducement offered him to do so, had not the climate of the tropics shattered his health. This compelled him to seek a more congenial locality, and in 1875 he departed for San Francisco, where he has since resided. In all the places where he has resided or visited he has given concerts with marked success, his playing being particularly admired for the elegant and graceful style and his facile technique. When Carlotta Patti visited the Pacific coast she especially engaged him to act as her accompanist for her concert tour. Although his time has mainly been devoted to teaching, he has found opportunity to do clever and characteristic work as a composer. Conspicuously successful have been his "Gata and Danga Habanera" and his "Trip to Spain," the latter being for piano and orchestra. He has written many piano compositions, two masses and a great deal of church music, generally distinguished for its imaginative and musicianly qualities. As a teacher, Senor Arrillaga has been remarkably successful, and during his long sojourn in San Francisco he has gathered about him a large coterie of pupils, to whom he is guide in art and a valued personal friend.

[From "A Hundred Years of Music in America," published in 1889, Chicago, by G.L. Howe and W.S.B. Matthews.]

MISS CARRIE HEINEMANN

Miss Heinemann was born in the city of New York, June 12, 1863. At the age of thirteen she came with her parents to San Francisco, where her father went into business on Leavenworth street. At the age of fifteen, while visiting friends, her voice was tested under the tuition of Miss Louisa Tourney, who successfully brought her out after three years of study, so she was able to take her place as a leading mezzo-soprano, suitable for church work and concert singing. The music committee of the O Habai Sholom choir very promptly engaged her as their soprano, a place which she successfully held for fifteen years. During her time in this synagogue she was prominent in concerts and festivals and sang at special services in different churches and societies. During her singing career she was also a generous and charitable singer and gave her services often to aid other churches, societies and charities without regard to creed. I had the pleasure of singing in the same choir with her. We were together six years with the following members of the choir: Soprano, Carrie Heinemann; contralto, Mrs. Blake-Alverson; basso, Mr. Mills; tenor, Mr. Newman, and organist, G.A. Scott. On holidays extra singers assisted the regular choir. I resigned from this choir to go to San Bernardino, while she remained indefinitely. She married at that time. She still continues her singing and assists the fraternal orders in San Francisco, of which she is a prominent member as Mrs. Carrie Wallenstein.

HENRY S. STEDMAN

Mr. Stedman received his first instruction on the organ from Thos. N. Caulfield at Indianapolis, Ind. During the ten years preceding 1876 he was engaged continuously in the churches of that city, the larger portion being in the First Presbyterian, the church of which President Benjamin Harrison was a member and at that time a teacher of a Bible class. In October, 1876, he arrived in San Francisco, having come to the coast under engagement to the firm of Sherman and Hyde. He had already been engaged as organist of the Howard M.E. Church and took up that work at once. The "silver-tongued orator," Rev. Thomas Guard, was in charge of the church then, and his popularity drew large audiences, who were entertained not only with oratory but music also. The church choir was under the leadership of Mr. Geo. W. Jackson, who was one of the first to announce himself as a "voice builder." May 1, 1878, Mr. Stedman was seated as organist and director of music in Plymouth Congregational Church, a position filled continuously for twenty years. During this period many of the very best known and ablest singers, now occupying positions in the highest salaried choirs of the coast as well as in the East, had their first start and encouragement from this source. In 1898 the First Congregational Church of Alameda made offers that, added to the comfort of being at home and free from travel across the bay, were accepted, and Mr. Stedman began a service which continued for five years. At this time business interests impelled a change of residence to San Francisco and, having already put in a goodly portion of time on the bench, all offers for additional service were rejected, and no work of importance has been undertaken in the way of organ-playing save an occasional day as "substitute" for a friend.